Question:
What is that line in marry popin's?
2006-10-02 17:17:50 UTC
What is that line in marry popin's?
Fifteen answers:
2006-10-02 17:22:13 UTC
Well, If your looking for the script here it is, its long,



================= MARY POPPINS =================

CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEREE A SWEEP IS AS

LUCKY AS LUCKY CAN BE CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEROO

GOOD LUCK WILL RUB OFF WHEN HE SHAKES HANDS WITH

YOU CHIM CHIMINY CHIM CHIM CHEREE, CHIM CHEROO

RUM DIDDLY-DIDDLY-DIDDLY RUM DIDDLE-DIE RUM DIDDLY-DIDDLY-

DIDDLY RUM DIDDLE-DIE ALL RIGHT, LADIES AND GENTS,

COMICAL POEMS SUITABLE FOR THE OCCASION, EXTEMPORIZED AND THOUGHT

UP BEFORE YOUR VERY EYES. ALL RIGHT, HERE WE GO. ROOM HERE FOR

EVERYONE GATHER AROUND THE CONSTABLE'S "RESPONSTABLE." NOW,

HOW DOES THAT SOUND? HELLO, MISS LARK I GOT ONE FOR YOU MISS LARK

LIKES TO WALK IN THE PARK WITH ANDREW. HELLO, ANDREW. AH, MRS. CORY

A STORY FOR YOU YOUR DAUGHTERS WERE SHORTER THAN YOU, BUT

THEY GREW. DEAR MISS PERSIMMON-- YES? WIND'S IN THE EAST MIST COMIN'

IN. LIKE SOMETHING IS BREWIN' ABOUT TO BEGIN CAN'T PUT

ME FINGER ON WHAT LIES IN STORE BUT I FEEL WHAT'S TO HAPPEN,

ALL HAPPENED BEFORE. I'M SORRY. WHERE WAS I? THANK YOU, ONE AND

ALL, FOR YOUR KIND SUPPORT. AH, MISS LARK, THANK YOU. CRIKEY.

BLESS YOU, GUV. GENEROSITY ITSELF, THAT'S WHAT YOU ARE.

NO CHARGE. OH, IT'S YOU! HELLO. NUMBER 17 CHERRY TREE LANE,

YOU SAY? ALL RIGHT. COME ALONG WITH ME.

THIS HERE'S CHERRY TREE LANE. NICE LITTLE SPOT, YOU MIGHT SAY.

NUMBER 17'S JUST DOWN A BIT. NOW, THIS IMPOSING EDIFICE

WHAT FIRST GREETS THE EYE... IS THE HOME OF ADMIRAL BOOM, LATE

OF HIS MAJESTY'S NAVY. LIKES HIS HOUSE SHIPSHAPE, HE

DOES, SHIPSHAPE AND BRISTOL FASHION AT ALL TIMES.

- TIME GUN READY? - READY AND CHARGED, SIR. - THREE MINUTES

AND SIX SECONDS. - AYE, AYE, SIR. WHAT HE'S FAMOUS

FOR IS PUNCTUALITY. THE WHOLE WORLD TAKES ITS TIME FROM GREENWICH.

BUT GREENWICH, THEY SAY, TAKES ITS TIME FROM ADMIRAL BOOM. WHAT

CHEER, ADMIRAL? GOOD AFTERNOON TO YOU, YOUNG MAN. WHERE ARE

YOU BOUND? NUMBER 17. GOT SOME PARTIES HERE IN TOW WHAT WANTS TO SEE

IT. - ENTER THAT IN THE LOG. - AYE, AYE, SIR. A WORD OF

ADVICE, YOUNG MAN: STORM SIGNALS ARE UP AT NUMBER 17.

BIT OF HEAVY WEATHER BREWING THERE. THANK YOU, SIR. KEEP

AN EYE SKINNED. HERE WE ARE. NUMBER 17 CHEERY TREE LANE.

RESIDENCE OF GEORGE BANKS, ESQUIRE. HELLO, HELLO, HELLO.

THE ADMIRAL'S RIGHT. HEAVY WEATHER BREWIN' AT NUMBER 17, AND

NO MISTAKE. - LEAVE HER ALONE! - SHUT UP! I'LL SHOW YOU.

DON'T YOU BE TRYING TO STOP THE WRETCHED CREATURE!

LET HER GO, THAT'S WHAT I SAY, AND GOOD RIDDANCE! I NEVER

LIKED HER FROM THE MOMENT SHE SET FOOT IN THE DOOR. BUT WHO GETS

STUCK WITH THE CHILDREN WITH NO NANNY IN THE HOUSE? ME, THAT'S

WHO! HER AND HER HIGH AND MIGHTY WAYS! AND THAT FACE OF HER THAT WOULD

STOP A COAL BARGE, IT WOULD. INDEED, MRS. BRILL! I WOULDN'T

STAY IN THIS HOUSE ANOTHER MINUTE, NOT IF YOU HEAP ME WITH

ALL THE JEWELS IN CHRISTENDOM. NO, NO, KATIE NANNA, DON'T GO!

STAND AWAY FROM THAT DOOR, MY GIRL! BUT

WHAT AM I GONNA TELL THE MASTER ABOUT THE CHILDREN? IT'S NO CONCERN

OF MINE. THOSE LITTLE BEASTS HAVE RUN AWAY FROM ME FOR THE

LAST TIME. THEY MUST BE SOMEWHERE. DID YOU LOOK AROUND THE ZOO IN

THE PARK? YOU KNOW HOW JANE AND MICHAEL IS. COO! YOU DON'T THINK

THE LION COULD'VE GOT AT THEM, DO YA? YOU KNOW HOW FOND THEY WAS

OF HANGIN' AROUND THE CAGE. I SAID MY SAY, AND THAT'S ALL

I'LL SAY. I'VE DONE WITH THIS HOUSE FOREVER. WELL,

HIP, HIP, HOORAY! AND DON'T STUMBLE ON THE WAY OUT, DEARIE.

NOW, NOW, KATIE NANNA! MRS. BANKS! SHE'S HOME! OUR DAUGHTER'S DAUGHTERS

WILL ADORE US AND WE'LL SING IN GRATEFUL CHORUS "WELL

DONE, SISTER SUFFRAGETTE" GOOD EVENING, KATIE NANNA,

ELLEN. WE HAD THE MOST GLORIOUS MEETING! MRS. WHITBOURNE-ALLEN CHAINED

HERSELF TO THE WHEEL OF THE PRIME MINISTER'S CARRIAGE. - YOU

SHOULD'VE BEEN THERE. - MRS. BANKS, I WOULD LIKE A WORD WITH YOU.

AND MRS. AINSLIE, SHE WAS CARRIED OFF TO PRISON, SINGING

AND SCATTERING PAMPHLETS ALL THE WAY! I'M GLAD

YOU'RE HOME, MADAM. I'VE ALWAYS GIVEN THE BEST THAT'S IN ME--

ON, THANK YOU, KATIE NANNA. I ALWAYS KNEW YOU WERE ONE

OF US. WE'RE CLEARLY SOLDIERS IN PETTICOATS AND DAUNTLESS

CRUSADERS FOR WOMEN'S VOTES THOUGH WE ADORE MEN INDIVIDUALLY

WE AGREE THAT AS A GROUP THEY'RE RATHER STUPID - MRS. BANKS.

- CAST OFF THE SHACKLES OF YESTERDAY SHOULDER

TO SHOULDER INTO THE FRAY OUR DAUGHTER'S DAUGHTERS WILL ADORE

US AND THEY'LL SING IN GRATEFUL CHORUS "WELL DONE,

SISTER SUFFRAGETTE" BEING THAT AS IT MAY, I DO NOT WISH TO OFFEND,

BUT I-- FROM KENSINGTON TO BILLINGSGATE ONE HEARS THE RESTLESS

CRIES FROM EVERY CORNER OF THE LAND WOMANKIND ARISE

POLITICAL EQUALITY AND EQUAL RIGHTS WITH MEN TAKE HEART

FOR MRS. PANKHURST HAS BEEN CLAPPED IN IRONS AGAIN NO MORE THE MEEK

AND MILD SUBSERVIENTS WE WE'RE FIGHTING FOR OUR RIGHTS

MILITANTLY NEVER YOU FEAR IF I MAY HAVE A WORD,

MRS. BANKS. - SO CAST OFF THE SHACKLES OF YESTERDAY

- MRS. BANKS! AND SHOULDER TO SHOULDER INTO

THE FRAY OUR DAUGHTER'S DAUGHTERS WILL ADORE US

AND THEY'LL SING IN GRATEFUL CHORUS - "WELL DONE" - MRS. BANKS.

- "WELL DONE" - MRS. BANKS. - "WELL DONE, SISTER SUF--" - MRS. BANKS!

- WHAT IS IT, KATIE NANNA? - MRS. BANKS, I HAVE SOMETHING

TO SAY TO YOU. - WHERE ARE THE CHILDREN? - THE CHILDREN,

MADAM, TO BE PRECISE, ARE NOT HERE. THEY'VE DISAPPEARED AGAIN.

KATIE NANNA, THIS IS REALLY TOO CARELESS OF YOU. DOESN'T IT

MAKE THE THIRD TIME THIS WEEK? THE FOURTH, MADAM. AND I FOR

ONE HAVE HAD MY FILL OF IT. I'M NOT ONE TO SPEAK ILL OF THE

CHILDREN, BUT-- OH, PLEASE, WHEN DO YOU EXPECT THEM HOME?

I REALLY COULDN'T SAY. AND NOW IF YOU'D BE GOOD ENOUGH TO COMPUTE

MY WAGES, I'LL-- OH, GRACIOUS, KATIE NANNA! YOU'RE NOT LEAVING?

WHAT WILL MR. BANKS SAY? HE'S GOING TO BE CROSS ENOUGH AS

IT IS TO COME HOME AND FIND THE CHILDREN MISSING. ELLEN, PUT

THESE THINGS AWAY. YOU KNOW HOW THE CAUSE INFURIATES MR. BANKS.

YES, MA'AM. KATIE NANNA, I BESEECH YOU. PLEASE RECONSIDER.

THINK OF THE CHILDREN. THINK OF MR. BANKS. HE WAS JUST

BEGINNING TO GET USED TO YOU. POSTS, EVERYONE! FOUR, THREE, TWO,

ONE. FIRE! -KATIE NANNA, I DO BESEECH YOU-- -MY WAGES,

IF YOU PLEASE. BIT EARLY TONIGHT, AREN'T YOU, ADMIRAL? NONSENSE.

BANG ON THE DOT, AS USUAL. HOW ARE THINGS IN THE

WORLD OF FINANCE? NEVER BETTER. MONEY'S SOUND. CREDIT RATES ARE

MOVING UP, UP, UP. AND THE BRITISH POUND IS

THE ADMIRATION OF THE WORLD. - GOOD MAN. - HOW DO THINGS

LOOK FROM WHERE YOU STAND? BIT CHANCY, I'D SAY. THE WIND'S COMING

UP AND THE GLASS IS FALLING. - DON'T LIKE THE LOOK OF IT. - GOOD,

GOOD, GOOD. BANKS, SHOULDN'T WONDER IF YOU WEREN'T STEERING

INTO A NASTY PIECE OF WEATHER. BANKS! DO YOU HEAR ME? HELLO, KATIE

NANNA. THAT MUST BE HEAVY. ALLOW ME. HMPH! WHAT A VERY PRETTY HAT.

I FEEL A SURGE OF DEEP SATISFACTION MUCH AS A KING

ASTRIDE HIS NOBLE STEED THANK YOU. WHEN I RETURN FROM

DAILY STRIFE TO HEARTH AND WIFE HOW PLEASANT IS THE LIFE

I LEAD - DEAR, IT'S ABOUT THE CHILDREN. - YES, YES, YES.

I RUN MY HOME PRECISELY ON SCHEDULE AT 6:01 I MARCH

THROUGH MY DOOR MY SLIPPERS, SHERRY AND PIPE ARE DUE AT 6:02

CONSISTENT IS THE LIFE I LEAD - GEORGE, THEY'RE MISSING.

- SPLENDID. SPLENDID. IT'S GRAND TO BE AN ENGLISHMAN IN 1910

KING EDWARD'S ON THE THRONE IT'S THE AGE OF MEN I'M THE LORD

OF MY CASTLE THE SOVEREIGN, THE LIEGE I TREAT MY SUBJECTS, SERVANTS

CHILDREN, WIFE WITH A FIRM BUT GENTLE HAND NOBLESSE

OBLIGE IT'S 6:03 AND THE HEIRS TO MY DOMINION

ARE SCRUBBED AND TUBBED AND ADEQUATELY FED AND SO I'LL PAT THEM

ON THE HEAD AND SEND THEM OFF TO BED AH, LORDLY IS THE LIFE

I LEAD - WINIFRED, WHERE ARE THE CHILDREN? - THEY'RE

NOT HERE, DEAR. WHAT? WELL, OF COURSE THEY'RE HERE! WHERE ELSE WOULD

THEY BE? - I DON'T KNOW, GEORGE. - YOU DON'T KNOW? WELL, THEY'RE

MISSING. KATIE NANNA HAS LOOKED EVERYWHERE. VERY WELL. I'LL DEAL WITH

THIS AT ONCE. GIVE ME THE POLICE STATION, QUICKLY, PLEASE.

I DON'T THINK WE NEED BOTHER THE POLICE, DEAR. THE FACTS

OF THE MATTER-- KINDLY DO NOT ATTEMPT TO CLOUD THE ISSUE WITH FACTS.

ONE FACT, AND ONE FACT ALONE IS CRYSTAL CLEAR! KATIE NANNA'S FALTERED

AT HER POST. SHE'S LET THE FAMILY DOWN. AND I SHALL BRING

HER TO BO-- OH. SHE'S LEFT US, HASN'T SHE? YES, DEAR, ONLY

JUST. WHAT, UH-- YES. GEORGE BANKS HERE. YES. 17 CHERRY TREE LANE.

IT'S A MATTER OF SOME URGENCY. I SHOULD LIKE YOU TO SEND

A POLICEMAN AROUND IMMEDIATELY. THE POLICEMAN'S HERE, GEORGE!

WHAT? OH, HOW VERY PROMPT. WHAT WONDERFUL SERVICE. THANK

YOU SO MUCH. GOOD NIGHT. - COME IN, CONSTABLE. COME IN. - THANK

YOU, SIR. WHILE GOING ABOUT MY DUTIES ON THE OTHER

SIDE OF THE PARK, I NOTED SOME VALUABLES THAT HAD GONE ASTRAY. -

I BELIEVE THEY'RE YOURS, SIR. - VALUABLES? COME

ALONG, NOW. COME ALONG. JANE! MICHAEL! WINIFRED, PLEASE DON'T

BE EMOTIONAL. OH, I WOULDN'T BE TOO HARD ON 'EM, SIR. THEY'VE

HAD A LONG, WEARY WALK TODAY. CHILDREN, COME HERE AT ONCE.

- WELL? - I'M SORRY WE LOST KATIE NANNA, FATHER.

- YOU SEE, IT WAS WINDY. - AND THE KITE WAS TOO STRONG FOR

US. IN A MANNER OF SPEAKING, SIR, IT WAS THE KITE THAT RAN AWAY,

NOT THE CHILDREN. THANK YOU, CONSTABLE. I THINK I

CAN MANAGE THIS. ACTUALLY IT WASN'T A VERY GOOD KITE. WE MADE IT OURSELVES.

PERHAPS IF YOU HELPED US TO MAKE ONE-- AH, THAT'S THE

TICKET, SIR. KITES ARE SKITTISH THINGS. WHY, ONLY LAST WEEK WITH ME

OWN YOUNGSTERS-- I'M VERY GRATEFUL TO YOU, CONSTABLE, FOR

RETURNING THE CHILDREN. AND I'M SURE THAT IF YOU GO

TO THE KITCHEN, COOK'LL FIND YOU A PLATE OF SOMETHING. THANK YOU,

SIR. I SHALL NOW RETURN TO MY DUTIES. THANK YOU, CONSTABLE.

GOOD NIGHT, MISS. GOOD NIGHT, MA'AM. GOOD NIGHT, SIR. COOK'LL

FIND ME SOMETHING. I NEVER-- I'M AWFULLY SORRY ABOUT

THIS, GEORGE. I'LL EXPECT YOU'LL WANT TO DISCUSS IT. I WOULD

INDEED! ELLEN, TAKE JANE AND MICHAEL UPSTAIRS STRAIGHTAWAY.

YES, SIR. I KNEW IT. WHEN ALL'S SAID AND DONE, WHO BEARS THE BRUNT

OF EVERYTHING AROUND HERE? ME, THAT'S WHO! THEY DON'T WANT AN HONEST,

HARD-WORKIN' GIRL AROUND HERE. THEY NEED A RUDDY ZOOKEEPER.

I'M SORRY, DEAR, BUT WHEN I CHOSE KATIE NANNA, I THOUGHT SHE

WOULD BE FIRM WITH THE CHILDREN. SHE LOOKED SO SOLEMN AND

CROSS. WINIFRED, NEVER CONFUSE EFFICIENCY WITH A LIVER

COMPLAINT. I'LL TRY TO DO BETTER NEXT TIME. NEXT TIME?

MY DEAR, YOU'VE ENGAGED SIX NANNIES IN THE LAST FOUR MONTHS!

- AND THEY'VE ALL BEEN UNQUALIFIED DISASTERS. - I QUITE AGREE.

CHOOSING A NANNY FOR THE CHILDREN IS AN IMPORTANT AND

DELICATE TASK. IT REQUIRES INSIGHT, BALANCED JUDGMENT,

AND AN ABILITY TO READ CHARACTER. UNDER THE CIRCUMSTANCES,

I THINK IT MIGHT BE APROPOS TO TAKE IT UPON MYSELF TO, UH,

SELECT THE NEXT PERSON. - OH, WOULD YOU, GEORGE? - OBVIOUSLY THE

WAY TO FIND A PROPER NANNY... IS TO GO ABOUT IT IN A PROPER

FASHION. I SHALL PUT AN ADVERTISEMENT IN THETIMES. TAKE

THIS DOWN PLEASE. - YES, OF COURSE, DEAR. - WANTED.

UH, NO. UH, REQUIRED. NANNY: FIRM, RESPECTABLE, NO NONSENSE.

A BRITISH NANNY MUST BE A GENERAL THE FUTURE EMPIRE

LIES WITHIN HER HANDS AND SO THE PERSON THAT WE NEED TO MOLD

THE BREED IS A NANNY WHO CAN GIVE COMMANDS

- YOU GETTING THIS, WINIFRED? - OH, YES, DEAR. EVERY WORD. A BRITISH

BANK IS RUN WITH PRECISION A BRITISH HOME REQUIRES NOTHING

LESS TRADITION, DISCIPLINE AND RULES MUST BE THE TOOLS

WITHOUT THEM, DISORDER CATASTROPHE, ANARCHY IN SHORT YOU HAVE

A GHASTLY MESS SPLENDID, GEORGE! INSPIRATIONAL. THETIMES WILL

BE SO PLEASED. - FATHER? - YES? WE'VE DISCUSSED EVERYTHING,

AND WE'RE VERY SORRY ABOUT WHAT WE DID TODAY. I SHOULD CERTAINLY

THINK SO. - IT WAS WRONG TO RUN AWAY FROM KATIE NANNA.

- IT WAS INDEED. AND WE DO SO WANT TO GET ON WITH THE

NEW NANNY. VERY SENSIBLE. I SHALL BE GLAD TO HAVE YOUR HELP

IN THE MATTER. WE THOUGHT YOU WOULD. THAT'S WHY WE WROTE THIS ADVERTISEMENT.

- ADVERTISEMENT FOR WHAT? - FOR THE NEW NANNY. - YOU WROTE

AN ADVERT-- - GEORGE, I THINK WE SHOULD LISTEN. - YOU SAID

YOU WANTED OUR HELP. - BUT, I-- OH, VERY WELL. "WANTED: A NANNY

FOR TWO ADORABLE CHILDREN." "ADORABLE." WELL, THAT'S DEBATABLE,

I MUST SAY. IF YOU WANT THIS CHOICE POSITION HAVE A CHEERY DISPOSITION

- JANE, I DON'T-- - ROSY CHEEKS, NO WARTS - THAT'S THE PART

I PUT IN. - PLAY GAMES, ALL SORTS YOU MUST BE KIND YOU MUST BE

WITTY VERY SWEET AND FAIRLY PRETTY - WELL, OF ALL THE RIDIC-

- - GEORGE, PLEASE! TAKE US ON OUTINGS GIVE US TREATS

SING SONGS BRING SWEETS NEVER BE CROSS OR CRUEL NEVER GIVE US

CASTOR OIL OR GRUEL LOVE US AS A SON AND DAUGHTER AND NEVER

SMELL OF BARLEY WATER I PUT THAT IN, TOO. IF YOU WON'T SCOLD AND DOMINATE

US WE WILL NEVER YOU GIVE YOU CAUSE TO HATE US WE WON'T

HIDE YOUR SPECTACLES SO YOU CAN'T SEE PUT TOADS IN YOUR

BED OR PEPPER IN YOUR TEA HURRY, NANNY MANY THANKS SINCERELY JANE

AND MICHAEL BANKS THANK YOU. MOST INTERESTING. AND NOW I THINK

WE'VE HAD QUITE ENOUGH OF THIS NONSENSE. PLEASE RETURN TO THE

NURSERY. THEY WERE ONLY TRYING TO HELP. THEY'RE JUST CHILDREN.

I'M WELL AWARE THEY'RE JUST CHILDREN, WINIFRED. I ONLY CONGRATULATE

MYSELF THAT I DECIDED TO STEP IN AND TAKE A HAND. "PLAY

GAMES, SING SONGS, GIVE TREATS." RIDICULOUS. THERE'S NO

QUESTION IN MY MIND WHATSOEVER. NOW IS THE TIME FOR ACTION.

GIVE ME THETIMES, PLEASE. NO, I DO NOT KNOW THE NUMBER. OH,

GEORGE, YOU'RE ALWAYS SO FORCEFUL. THE TIMES?

GEORGE BANKS HERE. 17 CHERRY TREE LANE. I WISH TO PLACE

AN ADVERTISEMENT IN YOUR COLUMN. - TIME GUN READY?

- READY AND CHARGED, SIR. I'LL TAKE THE REPORT, MR. BINNACLE.

THE WIND HAS CHANGED, SIR. SEEMS TO BE COMIN' IN FROM

A NEW QUARTER. - SO IT IS. - SIR? - WHAT IS IT? BIT

OF SOMETHIN' OR OTHER TAKING PLACE OFF THE PORT BOW. GHASTLY LOOKING

CREW, I MUST SAY! COO! THERE'S A FAIR QUEUE OF NANNIES OUTSIDE,

SIR. SHALL I SHOW 'EM IN? ELLEN, I SAID 8:00, AND 8:00 IT

SHALL JOLLY WELL BE. YOU SEE? TWELVE SECONDS TO GO. -

TEN, NINE, EIGHT-- - POSTS! SEVEN, SIX, FIVE, FOUR, THREE,

TWO, ONE! ELLEN, IT IS NOW 8:00. YES, SIR. BUT I HAVE TOLD YOU

TIME AND TIME AGAIN, ELLEN, I DISLIKE BEING HURRIED INTO THINGS.

I DON'T UNDERSTAND. THEY'RE NOT WHAT WE ADVERTISED FOR AT

ALL. MICHAEL, LOOK! PERHAPS IT'S A WITCH. OF COURSE NOT. WITCHES

HAVE BROOMS. IT'S HER. IT'S THE PERSON. SHE'S ANSWERED OUR ADVERTISEMENT.

ROSY CHEEKS AND EVERYTHING. ELLEN, YOU MAY NOW SHOW THEM

IN, ONE AT A TIME. YES, SIR. - YOU MAY COME IN ONE

AT A TIME. - THANK YOU. OH. YOU ARE THE FATHER

OF JANE AND MICHAEL BANKS, ARE YOU NOT? I SAID, YOU ARE THE FATHER

OF JANE AND MICHAEL BANKS. WELL, WELL YE-- YES, OF COURSE,

I MEAN. UH-- YOU BROUGHT YOUR REFERENCES, I PRESUME. MAY I SEE THEM?

OH, I MAKE IT A POINT NEVER TO GIVE REFERENCES. A VERY OLD-FASHIONED

IDEA TO MY MIND. IS THAT SO? WE'LL HAVE TO SEE ABOUT

THAT THEN, WON'T WE? NOW THEN, THE QUALIFICATIONS. "ITEM

ONE: A CHEERY DISPOSITION." I AM NEVER CROSS. "ITEM TWO:

ROSY CHEEKS." OBVIOUSLY. "ITEM THREE: PLAY GAMES, ALL SORTS."

WELL, I'M SURE THE CHILDREN WILL FIND MY GAMES EXTREMELY DIVERTING.

MAY I? EH, THIS PAPER? WHERE DID YOU GET IT FROM? I THOUGHT

I TORE IT UP. EXCUSE ME. "ITEM FOUR: YOU MUST BE KIND." I AM

KIND, BUT EXTREMELY FIRM. - HAVE YOU LOST SOMETHING? - AH!

YEAH. THAT PAPER, YOU SEE. I THOUGHT THAT I-- - YOU

ARE GEORGE BANKS, ARE YOU NOT? - WHAT? AND

YOU DID ADVERTISE FOR A NANNY, DID YOU NOT? - GEORGE BANKS. -

VERY WELL THEN. I TORE IT UP, TURNED IT OVER. TORE IT UP AGAIN

AND THREW IT IN THERE. YES. I BEG YOUR PARDON. ARE YOU ILL?

I HOPE NOT. NOW, ABOUT MY WAGES. THE REFERENCE HERE IS

VERY OBSCURE. - VERY OBSCURE. - WE MUST BE VERY CLEAR ON

THAT POINT, MUSTN'T WE? - YES, WE MUST INDEED. - I SHALL REQUIRE

EVERY SECOND TUESDAY OFF. EVERY TUESDAY. ON SECOND THOUGHTS,

I BELIEVE A TRIAL PERIOD WOULD BE WISE. HMM. I'LL GIVE YOU ONE WEEK.

I'LL KNOW BY THEN. I'LL SEE THE CHILDREN NOW. THANK YOU.

CLOSE YOUR MOUTH PLEASE, MICHAEL. WE ARE NOT

A CODFISH. WELL, DON'T STAND THERE STARING. BEST FOOT FORWARD.

SPIT SPOT! - GEORGE? - AAH! GEORGE, WHAT ON EARTH ARE

YOU DOING? - I THOUGHT YOU WERE INTERVIEWING NANNIES. -

I WAS! I WAS! YOU MEAN YOU'VE SELECTED ONE ALREADY?

- YES, IT'S DONE. IT'S, IT'S ALL DONE. - WELL, WHERE IS SHE?

WHAT? WELL, EH, SHE'S IN THE NURSERY OF COURSE, I MEAN. - I

PUT HER TO WORK STRAIGHTAWAY, I MEAN. - HOW CLEVER OF YOU!

I WOULD HAVE MUDDLED THE WHOLE THING. TELL ME, IS SHE EVERYTHING

THAT WE'D HOPED SHE BE? WELL, I-IT ALL HAPPENED RATHER QUICKLY.

I MEAN, I-- I, UH-- WILL SHE BE FIRM? WILL SHE GIVE COMMANDS?

WILL SHE MOLD OUR YOUNG BREED? YOU KNOW, WINIFRED, I THINK SHE

WILL. - I THINK SHE WILL. - IN THAT CASE, PERHAPS YOU'D BETTER

TELL ELLEN TO DISMISS THE OTHERS. - THE OTHERS? OH, YES. ELLEN?

- Y-YES, SIR? TELL THE OTHER APPLICANTS THEY MAY GO.

THE POSITION HAS BEEN FILLED. - THE OTHERS, SIR? - YES, THE

OTHERS. HOW MANY N-NANNIES DOES SHE THINK WE NEED IN THIS HOUSE?

THE POSITION HAS BEEN FILLED. I'M AFRAID THE NURSERY ISN'T VERY

TIDY. IT IS RATHER LIKE A BEAR PIT, ISN'T IT? - THAT'S A

FUNNY SORT OF BAG. - CARPET. - YOU MEAN TO CARRY

CARPETS IN? - NO. MADE OF. THIS IS YOUR ROOM, AND

THERE'S A LOVELY VIEW OF THE PARK. HMM. WELL, IT'S NOT EXACTLY

BUCKINGHAM PALACE. STILL, IT'S CLEAN. YES, I THINK IT WILL BE

QUITE SUITABLE. JUST NEEDS A TOUCH HERE AND THERE. WELL,

FIRST THINGS FIRST. I ALWAYS SAY, THE PLACE TO HANG A HAT

IS ON A HAT STAND. AH! THIS WILL NEVER DO! I MUCH PREFER SEEING

ALL OF MY FACE AT THE SAME TIME. THERE-- BUT THERE WAS NOTHING

IN IT. NEVER JUDGE THINGS BY THEIR APPEARANCE. EVEN CARPETBAGS.

I'M SURE I NEVER DO. A THING OF BEAUTY IS A JOY FOREVER. MMM,

A LITTLE MORE LIGHT, PERHAPS. WE BETTER KEEP AN EYE

ON THIS ONE. - SHE'S TRICKY. - SHE'S WONDERFUL. MUCH BETTER!

NOW, LET ME SEE. THAT'S FUNNY. I ALWAYS CARRY IT WITH

ME. IT MUST BE HERE SOMEWHERE. - WHAT? - MY TAPE MEASURE.

- WHAT DO YOU WANT IT FOR? - I WANT TO SEE HOW YOU TWO MEASURE UP.

WELL, THAT'S THE FUNNIEST THING I EVER SAW. I KNOW

IT'S DOWN HERE SOMEWHERE. AH, HA-HA, HA-HA! HERE IT

IS. GOOD. COME ALONG, THEN. QUICKLY. HEAD UP,

MICHAEL. DON'T SLOUCH. JUST AS I THOUGHT. EXTREMELY STUBBORN AND

SUSPICIOUS. - I AM NOT! - SEE FOR YOURSELF. "EXTREMELY

STUBBORN AND SUS--" SUSPICIOUS. NOW YOU, JANE. MMM. "RATHER

INCLINED TO GIGGLE. DOESN'T PUT THINGS AWAY." HOW 'BOUT YOU?

VERY WELL. HOLD THIS FOR ME. AS I EXPECTED. "MARY POPPINS.

PRACTICALLY PERFECT IN EVERY WAY." MARY POPPINS! IS THAT YOUR

NAME? IT'S LOVELY. THANK YOU. I'VE ALWAYS

LIKED IT. - NOW, SHALL WE GET ON WITH IT? - GET ON WITH WHAT?

IN YOUR ADVERTISEMENT, DID YOU NOT SPECIFICALLY REQUEST TO

PLAY GAMES? - OH, YES! - VERY WELL, THEN. OUR FIRST GAME

IS CALLED "WELL BEGUN IS HALF DONE." I DON'T LIKE THE SOUND

OF THAT. OTHERWISE ENTITLED, "LET'S TIDY UP THE NURSERY."

I TOLD YOU SHE WAS TRICKY. - SHALL WE BEGIN? - IT IS

A GAME, ISN'T IT, MARY POPPINS? WELL, IT DEPENDS ON YOUR

POINT OF VIEW. YOU SEE, IN EVERY JOB THAT MUST BE DONE... THERE IS

AN ELEMENT OF FUN. YOU FIND THE FUN, AND SNAP! THE JOB'S A

GAME. AND EVERY TASK YOU UNDERTAKE BECOMES A PIECE OF CAKE

A LARK, A SPREE IT'S VERY CLEAR TO SEE THAT A SPOONFUL OF SUGAR

HELPS THE MEDICINE GO DOWN THE MEDICINE GO DOWN MEDICINE

GO DOWN JUST A SPOONFUL OF SUGAR HELPS THE MEDICINE GO DOWN

IN A MOST DELIGHTFUL WAY A ROBIN FEATHERING HIS NEST HAS VERY LITTLE

TIME TO REST WHILE GATHERING HIS BITS OF TWINE AND TWIG THOUGH

QUITE INTENT IN HIS PURSUIT, HE HAS A MERRY TUNE TO TOOT HE KNOWS

A SONG WILL MOVE THE JOB ALONG FOR A SPOONFUL OF SUGAR HELPS

THE MEDICINE GO DOWN THE MEDICINE GO DOWN MEDICINE GO DOWN JUST

A SPOONFUL OF SUGAR HELPS THE MEDICINE GO DOWN IN A MOST DELIGHTFUL

WAY THE HONEYBEES THAT FETCH THE NECTAR FROM THE FLOWERS TO

THE COMB NEVER TIRE OF EVER BUZZING TO AND FRO BECAUSE

THEY TAKE A LITTLE NIP FROM EVERY FLOWER THAT THEY SIP - AND HENCE

- AND HENCE - THEY FIND - THEY FIND THEIR TASK IS NOT A GRIND

CHEEKY. DON'T BE ALL DAY ABOUT IT, PLEASE. LET ME OUT! LET ME OUT!

LET ME OUT! WELL, THAT WAS VERY-- THANK YOU NOW-- WHEN YOU'VE

QUITE FINISHED! THANK YOU. THAT WILL BE QUITE SUFFICIENT. HATS AND

COATS, PLEASE. IT'S TIME FOR OUR OUTING IN THE PARK.

I DON'T WANT AN OUTING. I WANT TO TIDY UP THE NURSERY AGAIN.

ENOUGH IS AS GOOD AS A FEAST. COME ALONG, PLEASE. LET ME

LOOK AT YOU. WELL, YOU'RE NOT AS WELL TURNED OUT AS I'D LIKE.

STILL, THERE'S TIME. THERE'S TIME. SPIT SPOT! AND OFF WE

GO. FOR A SPOONFUL OF SUGAR HELPS THE MEDICINE GO DOWN THE MEDICINE

GO DOWN MEDICINE GO DOWN JUST A SPOONFUL OF SUGAR HELPS THE MEDICINE

GO DOWN IN THE MOST DELIGHTFUL WAY CHIM CHIMINY, CHIM CHIMINY CHIM

CHIM CHEROO I DOES WHAT I LIKES AND I LIKES WHAT

I DO HELLO, ART LOVERS. TODAY I'M A SCREEVER AND AS YOU CAN SEE

A SCREEVER'S AN ARTIST OF HIGHEST DEGREE AND IT'S ALL ME OWN WORK

FROM ME OWN MEMORY WELL, NOT ROYAL ACADEMY, I SUPPOSE.

STILL THEY'RE BETTER THAN A FINGER IN YOUR EYE, AIN'T THEY?

CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEROO I DRAWS WHAT

I LIKES AND I LIKES WHAT I DREW NO REMUNERATION DO I ASK OF YOU

BUT ME CAP WOULD BE GLAD OF A COPPER OR TWO ME CAP WOULD BE

GLAD OF A COPPER OR TWO WAIT! DON'T MOVE. DON'T MOVE A MUSCLE.

STAY RIGHT WHERE YOU ARE. I'D KNOW THAT SILHOUETTE ANYWHERE! MARY POPPINS!

IT'S NICE TO SEE YOU AGAIN, BERT. I EXPECT YOU KNOW JANE AND MICHAEL.

WELL, I'VE SEEN 'EM HERE AND ABOUT. CHASIN' A KITE LAST

TIME, WEREN'T IT? MARY POPPINS IS TAKING US TO THE PARK.

TO THE PARK? NOT IF I KNOW MARY POPPINS. OTHER NANNIES

TAKE CHILDREN TO THE PARK. WHEN YOU'RE WITH MARY POPPINS,

SUDDENLY YOU'RE IN PLACES YOU'VE NEVER DREAMED OF. AND QUICK

AS YOU CAN SAY "BOB'S YOUR UNCLE," THE MOST UNUSUAL THINGS BEGIN

TO HAPPEN. I'M SURE I HAVEN'T THE FAINTEST IDEA WHAT YOU'RE

TALKING ABOUT. WELL MIND, IT'S NOT MY PLACE TO SAY, BUT WHAT SHE'S

PROBABLY GOT IN MIND... IS A JOLLY HOLIDAY SOMEWHERES

OR OTHER. SOMETHING ALONG THESE LINES, I SHOULDN'T BE SURPRISED.

"PUNTING ON THE THAMES." THAT'S ALWAYS GOOD IF YOU LIKE AN OUTING.

HERE WE GO. THE CIRCUS. HOW ABOUT A LOVELY CIRCUS? LIONS AND TIGERS.

WORLD-FAMOUS ARTISTES PERFORMING DEATH-DEFYIN' FEATS...

OF DEXTERITY AND SKILL BEFORE YOUR VERY EYES. TA-DA! TA-DA!

OH, THAT'S LOVELY. IF YOU PLEASE, I'D MUCH RATHER

GO THERE. BEAUTIFUL, AIN'T IT? A TYPICAL ENGLISH COUNTRYSIDE...

AS DONE BY A TRUE AND LOVIN' HAND. THOUGH YOU CAN'T SEE IT,

THERE'S A LITTLE COUNTRY FAIR... DOWN THAT ROAD AND UH, OVER THE

HILL. I DON'T SEE ANY ROAD. WHAT? NO ROAD? JUST WANTS A BIT OF

SOMETHIN' HERE, AND A BIT OF SOMETHIN' THERE. THERE. A COUNTRY

ROAD SUITABLE FOR TRAVEL AND HIGH ADVENTURE. PLEASE MAY WE GO,

MARY POPPINS? PLEASE? SUCH A LOVELY PLACE. DON'T YOU THINK IT'S LOVELY,

MARY POPPINS? NOW'S THE TIME, MARY POPPINS. NO ONE'S LOOKIN'.

- PLEASE, MARY POPPINS. PLEASE! - PLEASE, MARY POPPINS. PLEASE!

I HAVE NO INTENTION OF MAKING A SPECTACLE OF MYSELF, THANK YOU. ALL

RIGHT, I'LL DO IT MYSELF. - DO WHAT? - BIT OF MAGIC.

- A BIT OF MAGIC? - IT'S EASY. LET'S SEE. YOU THINK. YOU WINK.

YOU DO A DOUBLE BLINK. YOU CLOSE YOUR EYES AND JUMP. IS

SOMETHING 'SPOSED TO HAPPEN? BERT, WHAT UTTER NONSENSE! OHH!

WHY DO YOU ALWAYS COMPLICATE THINGS THAT ARE REALLY QUITE

SIMPLE? GIVE MY YOUR HAND, PLEASE, MICHAEL. DON'T SLOUCH. ONE,

TWO. MARY POPPINS, YOU LOOK BEAUTIFUL. - DO YOU REALLY THINK

SO? - CROSS MY HEART YOU DO. LIKE THE DAY I MET YA. YOU LOOK FINE,

TOO, BERT. I THOUGHT YOU SAID THERE WAS A FAIR. SO

I DID. DOWN THE ROAD BEHIND THE HILL, REMEMBER? COME ON! I HEAR

THE MERRY-GO-ROUND. - TELL 'EM BERT SENT YA. - DON'T FALL AND SMUDGE

THE DRAWING. AIN'T IT A GLORIOUS DAY RIGHT AS A MORNIN'

IN MAY I FEEL LIKE I COULD FLY NOW, BERT. NONE

OF YOUR LARKING ABOUT. HAVE YOU EVER SEEN THE GRASS SO GREEN

OR A BLUER SKY OH, IT'S A JOLLY HOLIDAY WITH MARY

- MARY MAKES YOUR HEART SO LIGHT - YOU HAVEN'T CHANGED A BIT,

HAVE YOU? WHEN THE DAY IS GRAY AND ORDINARY

- MARY MAKES THE SUN SHINE BRIGHT - OH, HONESTLY!

OH, HAPPINESS IS BLOOMIN' ALL AROUND HER THE DAFFODILS

ARE SMILIN' AT THE DOVE WHEN MARY HOLDS YOUR HAND YOU FEEL SO GRAND

YOUR HEART STARTS BEATIN' LIKE A BIG BRASS BAND - YOU

ARE LIGHTHEADED. - IT'S A JOLLY HOLIDAY WITH MARY NO WONDER

THAT IT'S MARY THAT WE LOVE OH, IT'S A JOLLY HOLIDAY WITH

MARY MARY MAKES YOUR HEART SO LIGHT WHEN

THE DAY IS GRAY AND ORDINARY MARY MAKES THE SUN SHINE BRIGHT

OH, HAPPINESS IS BLOOMIN' ALL AROUND HER THE DAFFODILS

ARE SMILING AT THE DOVE OINK, OINK. WHEN MARY

HOLDS YOUR HAND YOU FEEL SO GRAND YOUR HEART STARTS BEATIN'

LIKE A BIG BRASS BAND IT'S A JOLLY HOLIDAY WITH MARY

NO WONDER THAT IT'S MARY THAT WE LOVE - THANK YOU.

- OUR PLEASURE, MARY POPPINS. OH, IT'S A JOLLY HOLIDAY

WITH YOU, BERT - GENTLEMEN LIKE YOU ARE FEW - A VANISHING

BREED, THAT'S ME. THOUGH YOU'RE JUST A DIAMOND IN THE ROUGH,

BERT - UNDERNEATH YOUR BLOOD IS BLUE - COMMON KNOWLEDGE.

YOU'D NEVER THINK OF PRESSING YOUR ADVANTAGE -

FORBEARANCE IS THE HALLMARK OF YOUR CREED - TRUE.

A LADY NEEDN'T FEAR WHEN YOU ARE NEAR YOUR SWEET

GENTILITY IS CRYSTAL CLEAR OH, IT'S A JOLLY HOLIDAY WITH YOU, BERT

A JOLLY, JOLLY HOLIDAY WITH YOU WAITER! WAITER!

NOW THEN, WHAT'D BE NICE? WE'LL START WITH RASPBERRY ICE

AND THEN SOME CAKES AND TEA - ORDER WHAT YOU WILL - THERE'LL

BE NO BILL IT'S COMPLIMENTARY YOU'RE VERY KIND. ANYTHING FOR YOU,

MARY POPPINS. YOU'RE OUR FAVORITE PERSON. RIGHT YOU ARE.

IT'S TRUE THAT MAVIS AND SYBIL HAVE WAYS THAT ARE WINNIN'

AND PRUDENCE AND GWENDOLYN SET YOUR HEARTS SPINNIN' PHOEBE'S

DELIGHTFUL MAUDE IS DISARMING - JANICE - FELICIA - LYDIA - CHARMING

CYNTHIA'S DASHING, VIVIAN'S SWEET, STEPHANIE'S SMASHING PRISCILLA A

TREAT - VERONICA - MILLICENT - AGNES - AND JANE CONVIVIAL

COMPANY TIME AND AGAIN DORCAS AND PHYLLIS AND GLYNIS ARE SORTS

I'LL AGREE THEY'RE THREE JOLLY GOOD SPORTS BUT CREAM OF THE CROP

TIP OF THE TOP IS MARY POPPINS AND THERE WE STOP WHEN MARY

HOLDS YOUR HAND YOU FEEL SO GRAND YOUR HEART STARTS BEATIN'

LIKE A BIG BRASS BAND IT'S A JOLLY HOLIDAY WITH MARY

NO WONDER THAT IT'S MARY THAT WE LOVE NO WONDER THAT

IT'S MARY THAT WE LOVE NO WONDER THAT IT'S MARY THAT WE

LOVE YA-HOO! YA-HOO! YA-HOO! YA-HOO! -YA-HOO!

-OUR OWN PRIVATE MERRY-GO-ROUND. VERY NICE. VERY NICE,

INDEED, IF YOU DON'T WANNA GO NOWHERE. WHO SAYS WE'RE NOT GOING

ANYWHERE? OH, GUARD! RIGHTO, MARY POPPINS. THANK YOU. THEY'RE

OFF! IT'S MARY POPPINS LEADIN' BY TWO LENGTHS. JANE IS SECOND

BY A LENGTH. MICHAEL THIRD. MY HORSE IS THE FASTEST.

DO YOU HEAR THAT, MATE? DO YOU WANNA PUT UP WITH THAT? THAT'S

THE TICKET! COME ON, MY LAD. IS THAT THE BEST

YOU CAN DO? HURRY UP, BOY. HURRY UP! NOT SO FAST, PLEASE. MICHAEL!

NOW REALLY, BERT. YOU'RE AS BAD AS THE CHILDREN.

SORRY. WHOA, BOY! WHOA! - WHOA. - EASY,

BOY. WHOA. WHOA. JUST A BIT OF HIGH SPIRITS, MARY POPPINS.

PLEASE CONTROL YOURSELF. WE ARE NOT ON A RACECOURSE. FOLLOW

ME, PLEASE. - GOOD MORNING. - OH, YES, QUITE. WHA-- I SAY!

HAVE YOU EVER? NEVER! VIEW HALLOO! OH, YES, DEFINITELY. A VIEW HALLOO.

VIEW HALLOO? FAITH AND BEGORRA! 'TIS THEM REDCOATS AGAIN!

VIEW HALLOO! VIEW HALLOO! VIEW HALLOO! OH, MUSHA, MUSHA. POOR LIT'L

BLOKE. LET'S GIVE HIM A HAND. SAINTS PRESERVE US! YIKES! TALLY

HO! DA-DOO, DA-DOO! UP YOU GO. NOW HANG ON. WOULD YOU LOOK

AT THAT NOW? 'TIS AN ELEGANT MERRY-GO-ROUND HORSE. COME ON AND FIGHT,

YOU DIRTY OMADHAUNS. I CAN LICK THE LOT OF YA'S. FASTER, ME

BEAUTY! FASTER! OH, RIDERS, WOULD YOU BE SO KIND AS TO

LET ME PASS? CERTAINLY, MA'AM. - THANK YOU. - NOT AT ALL,

MA'AM. EXCELLENT TIME, GENTLEMEN. - OH, YES, QUITE.

- PERFECT DAY FOR IT, OF COURSE. OH. OH, HOW NICE.

HOORAY! HOORAY! HOORAY! HOORAY! HOORAY! HOORAY! HOORAY! HOLD

STILL, NOW. WATCH FOR THE DICKIE BIRD. UH, HOW DOES IT FEEL,

MARY POPPINS, WINNING THE RACE? - OH, WELL I--

- GAINING FAME AND FORTUNE. - UH, YES. - HAVING

YOUR PICTURE TAKEN FOR THE NEWSPAPER. UH, OH, ACTUALLY, I'M

DELIGHTED. BESIDES HAVING YOUR EXTREME GOOD LOOKS, IF I MAY SAY

SO. - OH, WELL, I WOULDN'T GO-- - THERE PROBABLY AREN'T WORDS TO

DESCRIBE YOUR EMOTIONS. NOW, NOW, NOW, NOW, GENTLEMEN, PLEASE. ON

THE CONTRARY, THERE'S A VERY GOOD WORD. - AM I RIGHT, BERT?

- TELL 'EM WHAT IT IS. RIGHT! IT'S SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS

EVEN THOUGH THE SOUND OF IT IS SOMETHING QUITE ATROCIOUS

IF YOU SAY IT LOUD ENOUGH YOU'LL ALWAYS SOUND PRECOCIOUS SUPERCALIFRA

GILISTIC- EXPIALIDOCIOUS UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY

UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY UM DIDDLE

DIDDLE DIDDLE UM DIDDLE AY UM DIDDLE DIDDLE DIDDLE UM DIDDLE

AY BECAUSE I WAS AFRAID TO SPEAK WHEN I WAS JUST A LAD

ME FATHER GAVE ME NOSE A TWEAK AND TOLD ME I WAS BAD

BUT THEN ONE DAY I LEARNED A WORD THAT SAVED ME ACHIN' NOSE

THE BIGGEST WORD YOU EVER HEARD AND THIS IS HOW IT GOES

OH, SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS EVEN THOUGH THE

SOUND OF IT IS SOMETHING QUITE ATROCIOUS IF YOU SAY IT LOUD ENOUGH

YOU'LL ALWAYS SOUND PRECOCIOUS SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS

UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY UM DIDDLE DIDDLE

DIDDLE UM DIDDLE AY UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY

UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY HE'S TRAVELED

ALL AROUND THE WORLD AND EVERYWHERE HE WENT HE'D USE HIS WORD

AND ALL WOULD SAY, "THERE GOES A CLEVER GENT" WHEN DUKES AND MAHARAJAHS

PASS THE TIME OF DAY WITH ME I'D SAY ME SPECIAL WORD AND THEN

THEY'D ASK ME OUT TO TEA OOH, SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS

EVEN THOUGH THE SOUND OF IT IS SOMETHING QUITE ATROCIOUS

IF YOU SAY IT LOUD ENOUGH YOU'LL ALWAYS SOUND PRECOCIOUS SUPERCALIFRA

GILISTIC- EXPIALIDOCIOUS UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY

UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY YOU KNOW,

YOU CAN SAY IT BACKWARDS, WHICH IS... DOCIOUSALIEXPIISTIC- FRAGILCALIRUPUS.

- BUT THAT'S GOING A BIT TOO FAR, DON'T YOU THINK? - INDUBITABLY.

SO WHEN THE CAT HAS GOT YOUR TONGUE

THERE'S NO NEED FOR DISMAY - HEAR, HEAR! - JUST

SUMMON UP THIS WORD AND THEN YOU'VE GOT A LOT TO SAY BUT BETTER

USE IT CAREFULLY OR IT COULD CHANGE YOUR LIFE - FOR EXAMPLE. - YES?

ONE NIGHT I SAID IT TO ME GIRL, AND NOW ME GIRL'S ME WIFE.

OW! AND A LOVELY THING SHE IS, TOO. SHE'S SUPERCALIFRAGILISTI

C- EXPIALIDOCIOUS SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS

SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS SUPERCALIFRAGILISTIC-

EXPIALIDOCIOUS JANE! MICHAEL! STAY CLOSE NOW. OH, BERT,

ALL YOUR FINE DRAWINGS. WELL, THERE'S MORE WHERE THEY

CAME FROM. MEANTIME, I'M CHANGING BUSINESSES. THIS HERE IS

LOVELY HOT CHESTNUT WEATHER. - COME ALONG, CHILDREN. - BYE, BERT.

- BYE-BYE. - BYE, BERT. BYE. - BYE, JANE AND MICHAEL.

- BYE, BERT. CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEROO

LA DUM DA DA DUM DA DA DA DA DUM NO, NO, I WON'T TAKE YOUR

NASTY MEDICINE! DO WE HAVE TO, MARY POPPINS? PEOPLE WHO GET THEIR

FEET WET, MUST LEARN TO TAKE THEIR MEDICINE.

- I DON'T WANT IT. I'M NOT GONNA-- - OH! LIME

CORDIAL! DELICIOUS! STRAWBERRY! MMM! R-R-RUM PUNCH. QUITE SATISFACTORY.

MARY POPPINS, YOU WON'T EVER LEAVE US, WILL YOU? - DO YOU HAVE A

HANDKERCHIEF UNDER YOUR PILLOW? - MM-HMM.

WILL YOU STAY IF WE PROMISE TO BE GOOD? OCH! THAT'S

A PIECRUST PROMISE. EASILY MADE, EASILY BROKEN. WHATEVER WOULD

WE DO WITHOUT YOU? I SHALL STAY UNTIL THE WIND CHANGES.

BUT, MARY POPPINS, HOW LONG WILL THAT BE? SILENCE, PLEASE.

IT'S TIME TO GO TO SLEEP. OH, WE COULDN'T POSSIBLY GO TO SLEEP!

SO MANY LOVELY THINGS HAVE HAPPENED TODAY. - DID THEY?

- YES! WHEN WE JUMPED INTO BERT'S CHALK PICTURE. AND

WE RODE THE MERRY-GO-ROUND, AND ALL THE HORSES JUMPED OFF, AND--

AND WE ALL WENT RIDING IN THE COUNTRYSIDE!

- TALLY HO! TCHUNGA! TCHUNGA! YIKES! - REALLY?

MARY POPPINS, DON'T YOU REMEMBER? YOU

WON THE HORSE RACE! A RESPECTABLE PERSON LIKE ME IN A HORSE RACE? HOW

DARE YOU SUGGEST SUCH A THING. BUT I SAW YOU DO IT! NOW, NOT

ANOTHER WORD OR I SHALL HAVE TO SUMMON THE POLICEMAN. IS THAT CLEAR?

IT DID HAPPEN! I SAW IT! - GO TO SLEEP.

- NO, I DON'T WANT TO GO TO SLEEP. MARY POPPINS, WE'RE

MUCH TOO EXCITED! VERY WELL, SUIT YOURSELVES. STAY AWAKE DON'T

REST YOUR HEAD DON'T LIE DOWN UPON YOUR BED WHILE THE MOON DRIFTS

IN THE SKIES STAY AWAKE DON'T CLOSE YOUR EYES THOUGH THE WORLD

IS FAST ASLEEP THOUGH YOUR PILLOW'S SOFT AND DEEP YOU'RE NOT SLEEPY

AS YOU SEEM STAY AWAKE DON'T NOD AND DREAM STAY AWAKE DON'T NOD

AND DREAM GLORIOUS DAY, MR. BINNACLE. GLORIOUS!

NO ONE SLEEPS THIS MORNING. PUT IN A DOUBLE CHARGE OF POWDER. A

DOUBLE CHARGE? AYE, AYE, SIR. SHAKE THINGS UP A BIT, WHAT?

- LOVELY, LOVELY MORNING, ELLEN. - INDEED IT IS, MA'AM.

- HAVE YOU PUT THE SPOILED EGGS IN MY CARRYALL?

- YES, MA'AM. AFTER OUR MEETING AT THE

ALBERT HALL, WE'RE ALL GOING TO DOWNING STREET... TO THROW THINGS

AT THE PRIME MINISTER. OH, HOW DISTINGUISHED YOU LOOK

THIS MORNING, GEORGE. WHAT'S ALL THAT FEARFUL CATERWAULING IN

THE KITCHEN? - IT'S COOK SINGING. - COOK SINGING? WHAT'S

WRONG WITH HER? SHE'S HAPPY AS A CRICKET. AS A MATTER OF FACT,

SINCE YOU HIRED MARY POPPINS, THE MOST EXTRAORDINARY THING... -

SEEMS TO HAVE COME OVER THE HOUSEHOLD. - IS THAT SO?

TAKE ELLEN FOR INSTANCE. SHE HASN'T BROKEN A DISH ALL MORNING.

- REALLY? WELL, THAT IS EXTRAORDINARY. - AND

ANOTHER THING. SHE AND COOK USUALLY FIGHT LIKE CATS AND DOGS, BUT

TODAY-- - LET ME HOLD THE DOOR FOR YOU, ELLEN DEAR.

- THANKS EVER SO, DUCKS. ELLEN, STOP MAKING THAT

OFFENSIVE NOISE! AND SHUT THE WINDOW! THAT BIRD'S GIVING ME A HEADACHE.

YES, SIR. QUIET! YOU'RE GIVING THE MASTER A HEADACHE.

I'M SO SORRY YOU'RE NOT FEELING WELL THIS MORNING,

GEORGE. WHO SAID I'M NOT FEELING WELL? I'M FIT AS A FIDDLE.

I JUST DON'T UNDERSTAND WHY EVERYONE'S SO CONFOUNDEDLY

CHEERFUL! SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS SUPERCALIFRAGILISTIC-

EXPIALIDOCIOUS -SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS

- HOW LOVELY. THANK YOU, MY DARLING. SUPERCALIFRAGILISTIC-

EXPIALIDOCIOUS SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS

- STOP! STOP! STOP! - GOOD MORNING, FATHER. - GOOD MORNING.

- MARY POPPINS TAUGHT US THE MOST WONDERFUL WORDS. SUPERCALIFR

AGILISTIC- EXPIALIDOCIOUS WHAT ON EARTH ARE YOU TALKING

ABOUT? SUPERCALI-- SUPER-- OR WHATEVER THE INFERNAL THING IS. IT'S

SOMETHING TO SAY WHEN YOU DON'T KNOW WHAT TO SAY. YES, WELL,

I ALWAYS KNOW WHAT TO SAY. GO ON, HURRY ALONG, PLEASE. YES, FATHER.

SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS WINIFRED, WILL

YOU BE GOOD ENOUGH TO EXPLAIN THIS UNSEEMLY HULLABALOO? I DON'T

THINK THERE'S ANYTHING TO EXPLAIN. DO YOU? IT'S OBVIOUS

THAT YOU'RE OUT OF SORTS THIS MORNING. THE CHILDREN JUST CAME IN

TO MAKE YOU FEEL BETTER. I SHOULD LIKE TO MAKE ONE THING QUITE CLEAR,

ONCE AND FOR ALL. I AM NOT OUT OF SORTS. I AM IN A PERFECTLY EQUABLE

MOOD. I DON'T REQUIRE BEING MADE TO FEEL BETTER! BUT YOU'RE

ALWAYS SAYING THAT YOU WANTED A CHEERFUL AND PLEASANT HOUSEHOLD.

WINIFRED, I SHOULD LIKE TO MAKE A SLIGHT DIFFERENTIATION...

BETWEEN THE WORD CHEERFUL AND JUST PLAIN GIDDY IRRESPONSIBILITY.

EXCUSE ME, DEAR. POSTS, EVERYONE, PLEASE! I HAVE NO OBJECTION

TO ANYONE BEING CHEERFUL OR PLEASANT. BUT I DO EXPECT A CERTAIN

DECORUM. I CAN TELL YOU ONE THING, WINIFRED. I DON'T PROPOSE STANDING

IDLY BY... AND LETTING THAT WOMAN, MARY POPPINS,

UNDERMINE THE DISCIPLINE AND-- THERE'S SOMETHING ODD,

I MAY SAY EXTREMELY ODD... ABOUT THE BEHAVIOR OF THIS HOUSEHOLD

SINCE THAT WOMAN ARRIVED. - AND I WANT YOU TO KNOW THAT I'VE

NOTICED IT! - YES, DEAR. - ONE THING MORE. - YES, DEAR?

I SUGGEST YOU HAVE THIS PIANO REPAIRED. WHEN I SIT DOWN

TO AN INSTRUMENT, I LIKE TO HAVE IT IN TUNE. BUT,

GEORGE, YOU DON'T PLAY. MADAM, THAT IS ENTIRELY BESIDE THE POINT!

NOW, LET ME SEE. FIRST OF ALL, WE MUST GO TO THE PIANO TUNERS.

AND THEN WE GO TO MRS. CORY'S SH-- MRS. CORY'S SHOP FOR SOME

GINGERBREAD. AH, GINGERBREAD! AND THEN WE GO TO THE FISHMONGER'S,

I THINK, FOR A NICE DOVER SOLE... AND A PINT OF PRAWNS. UH, MICHAEL,

STOP STRAVAGING ALONG BEHIND. AHOY, THERE! AHOY!

- GOOD DAY TO YOU! - GOOD MORNING, ADMIRAL. MICHAEL, WHAT

FINE ADVENTURE ARE WE OFF UPON TODAY? GOING TO FIGHT THE HOTTENTOTS?

DIG FOR BURIED TREASURE? WE'RE GOING TO BUY SOME FISH.

VERY GOOD! PROCEED AT FLANK SPEED. AYE, AYE, SIR.

LET'S PUT OUR BACKS INTO IT, LAD. MORE SPIT AND POLISH. THAT'S

WHAT'S WANTED AROUND HERE. IT'S ANDREW! UH, NOT SO FAST, PLEASE.

I CAN'T UNDERSTAND A WORD YOU'RE SAYING. AGAIN? OCH! OH, THE

POOR MAN! BLESS YOU. WELL, YES, OF COURSE. THERE'S NOT A MOMENT

TO LOSE. I'LL GO STRAIGHTAWAY. AND THANK YOU VERY MUCH. -

WHAT DID HE SAY? - HE SAID, "YOU'RE WELCOME." -WHAT ELSE

DID HE SAY? -I DON'T THINK HE SAID ANYTHING. YOU KNOW BEST,

AS USUAL. -I THOUGHT WE WERE GONNA BUY SOME FISH.

-THERE'S BEEN A CHANGE OF PLANS. COME ALONG, PLEASE.

DON'T STRAGGLE. ANDREW, WORRYING WON'T HELP ANYONE. WHY DON'T

YOU GO HOME AND PUT YOUR FEET UP? -OH, BERT,

I'M GLAD YOU'RE HERE. -I CAME OVER THE MOMENT I HEARD.

WELL, HOW IS HE? - I'VE NEVER SEEN HIM AS BAD AS THIS, AND THAT'S

THE TRUTH. - OH! HOW ABOUT THEM?

IT'S CONTAGIOUS, YOU KNOW. - SHALL WE GET SPOTS? - OH, HIGHLY

UNLIKELY. - OH, UNCLE ALBERT! - OH, BLESS ME. BLESS MY SOUL.

IT'S MARY POPPINS! I'M DELIGHT-- -I'M DELIGHTED TO SEE YOU, MARY.

-UNCLE ALBERT, YOU PROMISED! OH, I KN-- I KNOW, I-- BUT I TRIED.

REALLY, I DID, MY DEAR. I-- BUT I SO ENJOY LAUGHING,

YOU KNOW? AND, WELL-- AND WHEN I START, IT'S ALL UP WITH THE-

- THAT'S WHAT HAPPENS TO ME. I LOVE TO LAUGH! OH, MY GOODNESS! I

CAN'T HELP IT. YOU CAN SEE THAT. I JUST LIKE LAUGHING, THAT'S ALL.

JANE, DON'T YOU DARE! YOU'LL ONLY MAKE HIM WORSE.

- IT'S REALLY QUITE SERIOUS! - YES, WHATEVER YOU DO, KEEP A STRAIGHT

FACE. LAST TIME, IT TOOK US THREE DAYS TO GET HIM DOWN.

I LOVE TO LAUGH LOUD AND LONG AND CLEAR I LOVE TO LAUGH IT'S GETTING

WORSE EVERY YEAR THE MORE I LAUGH THE MORE I FILL

WITH GLEE - YOU'RE NO HELP AT ALL. -THE MORE THE GLEE THE MORE

I'M A MERRIER ME IT'S EMBARRASSING. THE MORE I'M A

MERRIER ME SOME PEOPLE LAUGH THROUGH THEIR NOSES SOUNDING SOMETHING

LIKE THIS DREADFUL! SOME PEOPLE LAUGH THROUGH THEIR TEETH,

GOODNESS SAKES HISSING AND FIZZING LIKE SNAKES NOT AT ALL

ATTRACTIVE TO MY WAY OF THINKING. SOME LAUGH TOO FAST SOME ONLY BLAST

OTHERS, THEY TWITTER LIKE BIRDS YOU KNOW, YOU'RE AS BAD

AS HE IS. THEN THERE'S THAT KIND WHAT CAN'T

MAKE UP THEIR MIND WHEN THINGS STRIKE ME AS FUNNY I CAN'T HIDE

IT INSIDE AND SQUEAK AS THE SQUEAKELERS DO I'VE GOT TO

LET GO WITH A HO HO HO HO AND LAUGH TOO HOW NICE! I WAS HOPING

YOU'D TURN UP. - TURN UP! - WE ALWAYS HAVE SUCH A

JOLLY TIME. WE LOVE TO LAUGH LOUD AND LONG AND CLEAR WE LOVE TO LAUGH

SO EVERYBODY CAN HEAR THE MORE YOU LAUGH WHOOPS, DON'T YOU TWO START.

COME BACK DOWN HERE. THE MORE YOU FILL WITH GLEE

THE MORE THE GLEE THE MORE WE'RE A MERRIER WE OH, WELCOME,

CHILDREN! WELCOME! MAKE YOURSELVES COMFORTABLE. THAT'S RIGHT.

PULL UP A CHAIR. OH, PULL UP-- I MUST SAY, YOU'RE A SIGHT, THE LOT

OF YOU! SPEAKING OF SIGHT, IT REMINDS ME OF ME

BROTHER. HE'S GOT A NICE CUSHY JOB IN A WATCH FACTORY. IN A

WATCH FACTORY? WHAT DOES HE DO? HE STANDS ABOUT ALL DAY AND MAKES

FACES! HE MAKES FACES IN A WATCH FACT-- YOU MADE THAT UP.

I KNOW. THAT'S SO GOOD! SUCH BEHAVIOR! WELL, IT'S THE MOST

DISGRACEFUL SIGHT I'VE EVER SEEN, OR MY NAME ISN'T MARY POPPINS.

SPEAKING OF NAMES, I KNOW A MAN WITH A WOODEN LEG NAMED SMITH. WHAT'S

THE NAME OF HIS OTHER LEG? WASN'T THAT FUNNY? WHAT'S

THE NAME OF HIS OTHER-- NOW, THEN, CHILDREN, IT'S TIME FOR TEA.

I WILL NOT HAVE MY SCHEDULE INTERRUPTED. OH, PLEASE STAY. LOOK,

I HAVE A SPLENDID TEA ALL READY FOR YOU. AND IT'S GETTING COLD! WELL,

I HAD HOPED THAT MAYBE, THAT YOU WOULD JUST, THAT-- SPLENDID!

THANK YOU VERY MUCH! KEEP YOUR FEET BACK. MIND THE BREAD

AND BUTTER. NOW, WATCH IT, CHILDREN. I KNEW SHE COULD BRING IT OFF.

AND A PROPER TEA IT IS, TOO. NEXT THING, I SUPPOSE, YOU'LL BE WANTING

ME TO POUR OUT. OH, WELL. IF I MUST, I MUST. IF YOU'LL

JUST STOP BEHAVING LIKE A PACK OF LAUGHING HYENAS! - TWO LUMPS,

UNCLE ALBERT? - YES, PLEASE. - UH, BERT? -

UH, NO, NO, THANK YOU. NO SUGAR FOR ME. I'M SO GLAD YOU CAME.

IT WOULDN'T BE ANY FUN WITHOUT YOU. HERE, AND YOU MAY POUR

SOME MILK FOR MICHAEL AND YOURSELF. NICE WEATHER WE'RE HAVING

THIS TIME OF YEAR, DON'T YOU THINK? OH, YEAH. UH, SPEAKING

OF WEATHER, THE OTHER DAY WHEN IT WAS SO COLD, A FRIEND OF

MINE WENT TO BUY SOME LONG UNDERWEAR, YOU KNOW. THE SHOPKEEPER SAID

TO HIM, "HOW LONG DO YOU WANT IT?" AND MY FRIEND SAID, "WELL,

FROM ABOUT SEPTEMBER TO MARCH." JANE! CONTROL YOURSELF! CHILDREN,

WILL YOU PLEASE SIT UP PROPERLY AT THE TABLE? - YOUR TEA, UNCLE

ALBERT. - OH, THANK YOU, MY DEAR. I'M HAVING SUCH A GOOD TIME. I WISH

THAT YOU COULD ALL STAY UP HERE ALL THE TIME. WE'LL JOLLY WELL

HAVE TO. THERE'S NO WAY TO GET DOWN. OH, NO, THERE IS A WAY. FRANKLY

I, I DON'T LIKE TO MENTION IT, BECAUSE YOU HAVE TO

THINK OF SOMETHING SAD. THEN DO GET ON WITH IT, PLEASE!

LET ME SEE. I'VE GOT THE VERY THING. YESTERDAY WHEN

THE LADY NEXT DOOR ANSWERED THE BELL, THERE WAS A MAN THERE.

AND THE MAN SAID TO THE LADY, "I'M TERRIBLY SORRY. I JUST

RAN OVER YOUR CAT." - OH, THAT'S SAD. - THE POOR CAT. AND THEN

THE MAN SAID, "I'D LIKE TO REPLACE YOUR CAT." AND THE LADY

SAID, "THAT'S ALL RIGHT WITH ME, BUT HOW ARE YOU AT CATCHING

MICE?" WELL, YOU KNOW I STARTED OUT SAD. I, I TRY, REALLY I DO. BUT,

BUT EVERYTHING ENDS UP SO HILARIOUS, I CAN'T-- I CAN'T HELP--

THAT WILL BE QUITE ENOUGH OF THAT! IT'S TIME TO GO

HOME. - OH, THAT IS SAD. - OH, NO! OH, THAT'S SAD. THAT'S

THE SADDEST THING I EVER HEARD. COME ALONG, CHILDREN. SPIT SPOT!

MUST YOU REALLY GO? YOU KNOW, PEOPLE COME TO SEE ME ALL

THE TIME, YOU KNOW. AND, AND WE HAVE SUCH A LOVELY TIME,

AND THEN THEY HAVE TO GO HOME. AND, AND I'M VERY, VERY SAD ABOUT

THE WHOLE THING. DON'T WORRY. WE'LL COME BACK SOON.

WE HAD A LOVELY TIME. UH, KEEP AN EYE ON UNCLE ALBERT, WILL YOU, BERT?

- I'LL SIT WITH HIM A WHILE. - THANK YOU. COME ON.

UNCLE ALBERT, I GOT A JOLLY JOKE I SAVED FOR JUST

SUCH AN OCCASION. - WOULD YOU LIKE TO HEAR IT? - I'D BE SO GRATEFUL.

RIGHTO. WELL, IT'S ABOUT ME GRANDDAD, SEE? AND ONE NIGHT,

HE HAD A NIGHTMARE, HE DID. - SO SCARED THAT HE CHEWED

HIS PILLOW TO BITS. - YES. - TO BITS.

- YES. - NEXT MORNING I SAYS, - "HOW DO YOU

FEEL, GRANDDAD?" - YES. HE SAYS, "OH, NOT BAD.

A LITTLE DOWN IN THE MOUTH!" YEAH, I ALWAYS SAY THERE'S NOTHING

LIKE A GOOD JOKE. NO. AND THAT WAS NOTHING LIKE A GOOD JOKE! THAT-

- BIT LATE TONIGHT, AREN'T YOU, BANKS? I SAY, BANKS!

IS ANYTHING THE MATTER, BANKS? BANKS! - OH, FATHER,

WE'RE SO GLAD YOU'RE HOME! - WANT TO HEAR A JOKE? WE

HAD THE MOST WONDERFUL AFTERNOON WITH MARY POPPINS. SPEAKING OF

AFTERNOONS, THE JOKE GOES LIKE THIS. I KNOW A MAN WITH A WOODEN LEG

NAMED SMITH. SMITH? WE DON'T KNOW ANYONE CALLED SMITH.

AND THERE WAS A SECOND CHAP, AND THE SECOND CHAP SAYS,

"WHAT'S THE NAME OF HIS OTHER LEG?" AND WE HAD A LOVELY TEA

PARTY ON THE CEILING! OH, CHILDREN, PLEASE BE QUIET.

MARY POPPINS SAYS IF WE'RE GOOD, SHE'LL TAKE US THERE AGAIN.

OH. OH, MARY POPPINS SAID THAT, DID SHE? WILL YOU PLEASE RETURN TO

YOUR ROOM. MARY POPPINS, WILL YOU BE KIND ENOUGH

TO COME WITH ME? AS YOU WISH. MARY POPPINS, I VERY MUCH REGRET WHAT

I MUST SAY TO YOU. - GOOD EVENING, GEORGE. IS ANYTHING

THE MATTER? - I'M AFRAID THERE IS. I, I'D LOVE TO STAY, BUT

I HAVE TO DRESS FOR MY RALLY IN HAMPSTEAD. WINIFRED, IT IS MY

WISH THAT YOU BE PRESENT! OH, YES, GEORGE, OF COURSE. MARY

POPPINS, I MUST CONFESS I AM EXTREMELY DISAPPOINTE

D IN YOU. SHE'S FOR IT NOW. I'VE HEARD THE MASTER DO THIS SPEECH BEFORE.

I DON'T DENY THAT I AM PARTIALLY RESPONSIBLE FOR ALLOWING

THE CHILDREN... TO SPEND THEIR DAYS ON WORTHLESS FRIVOLITY

TO THE EXCLUSION OF ALL ELSE! BUT IT IS HIGH TIME THEY LEARNED

THE SERIOUSNESS OF LIFE! BUT, GEORGE, THEY'RE ONLY

CHILDREN. PRECISELY. AND IN THE LIGHT OF WHAT HAS HAPPENED--

GEORGE, ARE YOU CERTAIN YOU KNOW WHAT YOU'RE DOING? I BELIEVE I

DO, WINIFRED. A BRITISH BANK IS RUN WITH PRECISION A

BRITISH HOME REQUIRES NOTHING LESS TRADITION, DISCIPLINE AND

RULES MUST BE THE TOOLS WITHOUT THEM DISORDER, CHAOS

MORAL DISINTEGRATION -IN SHORT YOU HAVE A GHASTLY MESS - I QUITE

AGREE. THE CHILDREN MUST BE MOLDED SHAPED AND TAUGHT

THAT LIFE'S A LOOMING BATTLE TO BE FACED AND FOUGHT IN SHORT,

I AM DISTURBED TO HEAR MY CHILDREN TALKING ABOUT... POPPING IN

AND OUT OF CHALK PAVEMENT PICTURES, CONSORTING WITH RACEHORSE

PERSONS, FOX HUNTING. YES, WELL I DON'T MIND THAT QUITE SO MUCH.

AT ANY RATE, IT'S TRADITIONAL. BUT TEA PARTIES ON THE CEILING?

I ASK YOU. HAVING TEA PARTIES ON THE CEILING

AND HIGHLY-QUESTIONABLE OUTINGS OF EVERY OTHER KIND! IF THEY MUST

GO ON OUTINGS THESE OUTINGS OUGHT TO BE FRAUGHT WITH PURPOSE YES,

AND PRACTICALITY THESE SILLY WORDS LIKE SUPERCA-- SUPER-- - SUPERCA-

- - SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS. YES,

WELL DONE. YOU SAID IT. AND POPPING THROUGH PICTURES HAVE

LITTLE USE FULFILL NO BASIC NEED THEY'VE GOT TO LEARN THE HONEST

TRUTH DESPITE THEIR YOUTH THEY MUST LEARN -ABOUT THE LIFE

YOU LEAD - EXACTLY. THEY MUST FEEL THE THRILL

OF TOTTING UP A BALANCED BOOK -A THOUSAND CIPHERS NEATLY IN A ROW

- QUITE RIGHT. WHEN GAZING AT A GRAPH THAT SHOWS THE PROFITS

UP -THEIR LITTLE CUP OF JOY SHOULD OVERFLOW - PRECISELY!

-IT'S TIME THEY LEARNED TO WALK IN YOUR FOOTSTEPS -

MY FOOTSTEPS. -TO TREAD YOUR STRAIGHT AND NARROW

PATH WITH PRIDE - WITH PRIDE. TOMORROW JUST AS YOU

SUGGEST PRESSED AND DRESSED JANE AND MICHAEL WILL BE

AT YOUR SIDE SPLENDID! YOU HIT THE NAIL RIGHT

ON THE-- AT MY SIDE? WHERE ARE WE GOING? TO THE BANK, OF COURSE,

EXACTLY AS YOU PROPOSED. - I PROPOSED? - OF COURSE. NOW, IF YOU'LL

EXCUSE ME. TOMORROW'S AN IMPORTANT DAY FOR THE CHILDREN.

I SHALL SEE THEY HAVE A PROPER NIGHT'S SLEEP. GOOD NIGHT. WINIFRED,

DID I SAY THAT I WAS GOING TO TAKE THE CHILDREN TO THE BANK?

- IT CERTAINLY SOUNDED THAT WAY, DEAR. - OH.

AND WHY NOT? A CAPITAL IDEA! JUST THE MEDICINE THEY NEED

FOR ALL THIS SLIPSHOD, SUGARY... FEMALE THINKING THEY GET AROUND

HERE ALL DAY LONG. QUITE RIGHT. GOOD IDEA. QUITE RIGHT.

GOOD IDEA. QUITE RIGHT. MARY POPPINS, WE WON'T LET YOU GO!

GO? WHAT ON EARTH ARE YOU TALKING ABOUT? - DIDN'T YOU GET SACKED?

- SACKED? CERTAINLY NOT! I AM NEVER SACKED! - OH, MARY POPPINS!

- HURRAH, HURRAY, HURRAY, - HURRAY, HURRAY, HURRAY-- -

NEITHER AM I A MAYPOLE. KINDLY STOP SPINNING ABOUT ME. - BUT?

- GOATS BUTT, BIRDS FLY, AND CHILDREN WHO ARE GOING

ON AN OUTING WITH THEIR FATHER MUST GET SOME SLEEP. -

COME ALONG, PLEASE. - AN OUTING WITH FATHER? - YES.

- I DON'T BELIEVE IT. - HE'S NEVER TAKEN US ON AN OUTING

BEFORE. - HE'S NEVER TAKEN US ANYWHERE. - HOWEVER DID YOU

MANAGE IT? - MANAGE WHAT? YOU MUST'VE PUT THE IDEA IN

HIS HEAD SOMEHOW. WHAT AN IMPERTINENT THING TO SAY!

ME PUTTING IDEAS INTO PEOPLE'S HEADS? REALLY! - WHERE'S HE

TAKING US? - TO THE BANK. OH, MICHAEL, THE CITY! AND

WE'LL SEE ALL THE SIGHTS, AND FATHER CAN POINT THEM OUT TO US.

WELL, MOST THINGS HE CAN. BUT SOMETIMES A PERSON WE LOVE THROUGH NO

FAULT OF HIS OWN, - CAN'T SEE PAST THE END OF HIS NOSE.

- PAST THE END OF HIS NOSE? YES. SOMETIMES A LITTLE THING CAN

BE QUITE IMPORTANT. OH, LOOK! THE CATHEDRAL. FATHER PASSES

THAT EVERY DAY. HE SEES THAT. EARLY EACH DAY

TO THE STEPS OF ST. PAUL'S THE LITTLE OLD BIRD WOMAN COMES

IN HER OWN SPECIAL WAY TO THE PEOPLE SHE CALLS COME BUY MY BAGS

FULL OF CRUMBS COME FEED THE LITTLE BIRDS SHOW THEM YOU CARE AND

YOU'LL BE GLAD IF YOU DO THEIR YOUNG ONES ARE HUNGRY

THEIR NESTS ARE SO BARE ALL IT TAKES IS TUPPENCE FROM YOU

FEED THE BIRDS TUPPENCE A BAG TUPPENCE, TUPPENCE TUPPENCE A BAG

FEED THE BIRDS THAT'S WHAT SHE CRIES WHILE OVERHEAD HER BIRDS FILL

THE SKIES ALL AROUND THE CATHEDRAL THE SAINTS AND APOSTLES LOOK DOWN

AS SHE SELLS HER WARES ALTHOUGH YOU CAN'T SEE IT YOU

KNOW THEY ARE SMILING EACH TIME SOMEONE SHOWS THAT HE CARES

THOUGH HER WORDS ARE SIMPLE AND FEW LISTEN, LISTEN SHE'S CALLING

TO YOU FEED THE BIRDS TUPPENCE A BAG TUPPENCE, TUPPENCE TUPPENCE

A BAG THOUGH HER WORDS ARE SIMPLE AND FEW LISTEN, LISTEN SHE'S CALLING

TO YOU FEED THE BIRDS TUPPENCE A BAG TUPPENCE, TUPPENCE TUPPENCE

A BAG NOW REMEMBER THAT A BANK IS A QUIET AND DECOROUS PLACE,

SO WE MUST BE ON OUR BEST BEHAVIOR. -BUT I THOUGHT IT WAS YOUR BANK.

-YES, WELL, I'M ONE OF THE YOUNGER OFFICERS, SO

IN A SENSE IT IS, SORT OF. MICHAEL, LOOK! - IT'S HER!

- WHO? -IT'S WHO? -THE BIRD WOMAN. JUST

WHERE MARY POPPINS SAID SHE WOULD BE. - YOU DO SEE HER,

DON'T YOU, FATHER? - WELL, OF COURSE I CAN SEE

HER. DO YOU THINK I CAN'T SEE PAST THE END OF MY NOSE? LISTEN, FATHER,

SHE'S SAYING IT. FEED THE BIRDS. TUPPENCE A BAG. WELL, OF COURSE

SHE'S SAYING IT. WHAT ELSE WOULD SHE BE SAYING? - PLEASE MAY WE FEED

THE BIRDS? - WHATEVER FOR? - I HAVE TUPPENCE

FROM MY MONEY BOX. - JUST THIS ONCE, PLEASE? WASTE YOUR MONEY

ON A LOT OF RAGAMUFFIN BIRDS? CERTAINLY NOT. - BUT MARY POPPINS-

- - I AM NOT INTERESTED IN WHAT MARY POPPINS SAYS.

NOR DO I WISH TO KEEP HEARING HER NAME FOR THE REMAINDER OF THE

DAY. NOW COME ALONG! BUT IT'S MY TUPPENCE! MICHAEL, I WILL NOT PERMIT

YOU TO THROW YOUR MONEY AWAY! WHEN WE GET TO THE BANK,

I SHALL SHOW YOU WHAT MAY BE DONE WITH YOUR TUPPENCE. AND

I THINK YOU'LL FIND IT EXTREMELY INTERESTING. HELLO, BANKS.

WHAT'S ALL THIS ABOUT? - THESE ARE MY CHILDREN, MR. DAWES.

- WELL, SO I ASSUMED. - BUT WHY ARE THEY HERE?

- THEY WISH TO OPEN AN ACCOUNT, SIR. -

OH, INDEED? - YES. AND JUST HOW MUCH MONEY DO YOU HAVE, YOUNG

MAN? - TUPPENCE. BUT I WANT IT TO FEED THE BIRDS. - SHH, SHH,

SHH, SHH, SHH. TUPPENCE? TUPPENCE? PRECISELY HOW I

STARTED. THAT'S THE CHAIRMAN OF THE BANK, THE ELDER MR. DAWES.

A GIANT IN THE WORLD OF FINANCE. - A GIANT?

- SHH, SHH, SHH. UH, FATHER, THESE ARE BANKS'S CHILDREN. - THEY

WANT TO OPEN AN ACCOUNT. - OH, THEY DO, DO THEY, BOY? EXCELLENT.

EXCELLENT. WE CAN AL-ALWAYS USE, AL-ALWAYS USE MORE MONEY TO, TO PUT

TO WORK FOR THE BANK, CAN'T WE, BOY?

laserdiscside3

SO, YOU HAVE TUPPENCE?

MAY I BE PERMITTED TO SEE IT? NO. I WANT IT TO FEED THE

BIRDS! FIDDLESTICKS, BOY! FEED THE BIRDS AND WHAT HAVE YOU GOT? FAT

BIRDS! BUT IF YOU INVEST YOUR TUPPENCE WISELY

IN THE BANK SAFE AND SOUND SOON THAT TUPPENCE SAFELY INVESTED

IN THE BANK WILL COMPOUND AND YOU'LL ACHIEVE THAT SENSE OF CONQUEST

AS YOUR AFFLUENCE EXPANDS IN THE HANDS OF THE DIRECTORS

WHO INVEST AS PROPRIETY DEMANDS - MAY I, SIR? - CARRY ON, BANKS.

YOU SEE, MICHAEL, YOU'LL BE PART OF... -RAILWAYS THROUGH AFRICA

- EXACTLY! -DAMS ACROSS THE NILE - THE SHIPS. TELL THEM

ABOUT THE SHIPS. -FLEETS OF OCEAN GREYHOUNDS - MORE, TELL THEM

MORE! MAJESTIC SELF-AMORTIZING CANALS OH, IT FIRES

THE IMAGINATION! PLANTATIONS OF RIPENING TEA ALL FROM TUPPENCE

PRUDENTLY THRIFTILY, FRUGALLY -INVESTED IN THE -TO BE SPECIFIC IN

THE DAWES, TOMES MOUSLEY, GRUBBS FIDELITY FIDUCIARY BANK - VERY

WELL, MY BOY, GIVE ME THE MONEY. - NO, I WON'T! I WANT IT

TO FEED THE BIRDS. - BANKS! - YES, SIR. NOW,

MICHAEL. WHEN YOU DEPOSIT TUPPENCE IN A BANK ACCOUNT - GO

ON! -SOON YOU'LL SEE - TELL HIM MORE! -THAT IT

BLOOMS INTO CREDIT OF A GENEROUS AMOUNT SEMIANNUALLY AND YOU'LL

ACHIEVE THAT SENSE OF STATURE AS YOUR INFLUENCE EXPANDS

TO THE HIGH FINANCIAL STRATA THAT ESTABLISHED CREDIT NOW COMMANDS

YOU CAN PURCHASE FIRST AND SECOND TRUST DEEDS.

THINK OF THE FORECLOSURES! BONDS, CHATTELS, DIVIDENDS, SHARES.

- BANKRUPTCIES. - DEBTOR SALES. - OPPORTUNITIES. - ALL MANNER

OF PRIVATE ENTERPRISE. - SHIPYARDS. - THE MERCANTILE.

- COLLIERIES. - TANNERIES. - CORPORATIONS. - AMALGAMATIONS. - BANKS!

WHILE STAND THE BANKS OF ENGLAND, ENGLAND STANDS.

OH, OH, OH, OH! WHEN FALL THE BANKS OF ENGLAND, ENGLAND

FALLS! YOU SEE, MICHAEL? ALL FOR THE LACK OF... TUPPENCE

PATIENTLY, CAUTIOUSLY TRUSTINGLY INVESTED IN THE TO

BE SPECIFIC IN THE DAWES, TOMES, MOUSLEY, GRUBBS FIDELITY

FIDUCIARY BANK WELCOME TO OUR JOYFUL FAMILY OF INVESTORS.

GIVE IT BACK! GIMME BACK MY MONEY! - MICHAEL, BEHAVE. - BANKS!

- GIVE IT TO ME! - MICHAEL, BEHAVE. JANE! JANE! - GIMME

BACK MY MONEY! JANE! MICHAEL! MICHAEL! MICHAEL! - GIMME

BACK MY MONEY! - MICHAEL! THERE'S SOMETHING WRONG. THE

BANK WON'T GIVE SOMEONE THEIR MONEY! WELL, I'M GOING

TO GET MINE! COME ALONG, YOUNG MAN! I WANT EVERY PENNY!

- AND MINE, TOO! - AND GIVE ME MINE, TOO! STOP ALL PAYMENTS.

STOP ALL PAYMENTS. - MICHAEL! JANE! - GIVE ME MY MONEY! - CHILDREN,

COME BACK HERE. - STOP THOSE CHILDREN. - JANE! MICHAEL!

GIMME MY MONEY BACK! I WANT MY MONEY! COME ON. STOP THOSE

CHILDREN! STOP THOSE CHILDREN! COME WITH ME, MY DEARS. GRANNY'LL HIDE

YOU! - HERE, HERE, HALF A MO. - LEAVE HER ALONE! LEAVE

MY SISTER ALONE! EASY, NOW. YOUR OLD FRIEND AIN'T GONNA HURT YA.

BERT, IT'S YOU! IN THE FLESH, AND AT YOUR SERVICE. - YOU'RE

FILTHY! - OH, PERHAPS A SMUDGE OR TWO. IT SO HAPPENS

THAT TODAY I'M A CHIMNEY SWEEP. OH, BERT, WE'RE SO FRIGHTENED.

NOW, NOW, DON'T TAKE ON SO. BERT'LL TAKE CARE OF YOU LIKE

I WAS YOUR OWN FATHER. - NOW, WHO'S AFTER YOU? - FATHER IS.

- WHAT? - HE BROUGHT US TO SEE HIS BANK.

I DON'T KNOW WHAT WE DID, BUT IT MUST'VE BEEN SOMETHING DREADFUL.

HE SENT THE POLICE AFTER US, AND THE ARMY AND EVERYTHING. MICHAEL,

DON'T EXAGGERATE. WELL, NOW, THERE MUST BE SOME MISTAKE.

YOUR DAD'S A FINE GENTLEMAN AND HE LOVES YA! I DON'T THINK

SO. YOU SHOULD'VE SEEN THE LOOK ON HIS FACE. HE DOESN'T LIKE US

AT ALL. WELL, NOW THAT DON'T SEEM LIKELY, DOES IT? IT'S

TRUE. LET'S SIT DOWN. YOU KNOW, BEGGING YOUR PARDON, BUT

THE ONE MY HEART GOES OUT TO IS YOUR FATHER. THERE HE IS IN

THAT COLD, HEARTLESS BANK DAY AFTER DAY, HEMMED IN BY MOUNDS

OF COLD, HEARTLESS MONEY. I DON'T LIKE TO SEE ANY LIVING

THING CAGED UP. FATHER IN A CAGE? THEY MAKES CAGES IN ALL SIZES

AND SHAPES, YOU KNOW. BANK-SHAPED SOME OF 'EM, CARPETS AND ALL.

FATHER'S NOT IN TROUBLE. WE ARE. OH, SURE ABOUT

THAT, ARE YOU? LOOK AT IT THIS WAY. YOU'VE GOT YOUR MOTHER

TO LOOK AFTER YOU. AND MARY POPPINS, AND CONSTABLE JONES

AND ME. WHO LOOKS AFTER YOUR FATHER? TELL ME THAT.

WHEN SOMETHING TERRIBLE HAPPENS, WHAT DOES HE DO? FENDS

FOR HIMSELF, HE DOES. WHO DOES HE TELL ABOUT IT? NO ONE!

DON'T BLAB HIS TROUBLES AT HOME.

HE JUST PUSHES ON AT HIS JOB, UNCOMPLAINING AND ALONE AND SILENT.

- HE'S NOT VERY SILENT! - MICHAEL, BE QUIET. BERT, DO YOU THINK

FATHER REALLY NEEDS OUR HELP? WELL, NOT MY PLACE TO SAY.

I ONLY OBSERVE THAT A FATHER CAN ALWAYS DO WITH A BIT OF HELP.

COME ON, I'LL TAKE YOU HOME. CHIM CHIMINY, CHIM CHIMINY

CHIM CHIM CHEREE A SWEEP IS AS LUCKY AS LUCKY CAN BE

CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEROO GOOD LUCK WILL

RUB OFF WHEN I SHAKES HANDS WITH YOU OR BLOW ME A KISS AND

THAT'S LUCKY TOO NOW AS THE LADDER OF LIFE HAS BEEN STRUNG

YOU MIGHT THINK A SWEEP'S ON THE BOTTOMMOST RUNG THOUGH I SPENDS

ME TIME IN THE ASHES AND SMOKE IN THIS WHOLE WIDE WORLD THERE'S NO

HAPPIER BLOKE CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEREE

A SWEEP IS AS LUCKY AS LUCKY CAN BE CHIM CHIMINY, CHIM CHIMINY

CHIM CHIM CHEROO GOOD LUCK WILL RUB OFF WHEN I SHAKES

HANDS WITH YOU CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEREE

A SWEEP IS AS LUCKY AS LUCKY CAN BE CHIM CHIMINY, CHIM CHIMINY

CHIM CHIM CHEROO GOOD LUCK WILL RUB OFF WHEN I SHAKES

HANDS WITH YOU OH, ELLEN, SEE WHO THAT IS, AND SEND THEM AWAY.

- I'M DREADFULLY LATE! - YES, MA'AM. - WELL, I'LL BE

GETTIN' ALONG NOW. - OH, PLEASE STAY 'TIL

FATHER COMES HOME. HE'LL FEEL MUCH BETTER IF YOU SHAKE HANDS

WITH HIM. - IT'S THE CHILDREN, MA'AM. - OH, I THOUGHT THEY WERE

WITH THEIR FATHER. YOU HAVEN'T BEEN RUNNING OFF AGAIN, HAVE

YOU? YOU KNOW HOW TERRIBLY IT UPSETS ME. OH, THEY HAVEN'T EXACTLY

BEEN RUNNING AWAY, MA'AM. THEY HAVE HAD BIT OF A FRIGHT,

THOUGH. NEED SOMEONE TO LOOK AFTER 'EM. OH, OF COURSE!

MARY POPPINS WILL. OH, NO, IT'S HER DAY OFF! - ELLEN, I WONDER

IF YOU WOULD-- - NO, MA'AM. I HAVEN'T DONE ME BRASSES YET.

- WELL, WILL YOU ASK MRS. BRILL? - NOT FOR A HUNDRED QUID,

MA'AM. THIS HERE IS BAKING DAY, AND YOU KNOW HOW COOK IS! WHAT ABOUT

YOU, SIR? YOU'VE BEEN SO KIND IN LOOKING AFTER THE CHILDREN.

WH-- UH, ME, MA'AM? W-WELL, WELL, I-I-I HAVE TO BE MOVING ALONG.

THE LORD MAYOR'S GOT A STOPPED-UP CHIMNEY. CHIMNEY.

HOW CLEVER OF YOU TO KNOW. OUR DRAWING ROOM CHIMNEY'S

IN THE MOST GHASTLY CONDITION. SMOKES INCESSANTLY. - W-

W-- - THANK YOU SO MUCH! - BUT-- - BESIDES,

IT'LL AMUSE THE CHILDREN. THE LORD MAYOR'S GONNA BE TERRIBLE

PUT OUT. OH, THANK YOU SO MUCH. I DO APPRECIATE IT. I MUST

HURRY. OUR GALLANT LADIES IN PRISON ARE WAITING FOR ME TO LEAD THEM

IN SONG! GOOD-BYE, MY DARLINGS. SEE YOU SOON.

I CHOOSE ME BRISTLES WITH PRIDE, YES, I DO A BROOM FOR THE SHAFT

AND A BRUSH FOR THE FLUE OH, IT'S AWFULLY DARK AND GLOOMY UP THERE.

THERE NOW. YOU SEE HOW WRONG PEOPLE CAN BE? THAT THERE IS WHAT

YOU MIGHT CALL A DOORWAY TO A PLACE OF ENCHANTMENT. UP WHERE

THE SMOKE IS ALL BILLOWED AND CURLED 'TWEEN PAVEMENT AND STARS

IS THE CHIMNEY SWEEP WORLD WHEN THERE'S HARDLY

NO DAY NOR HARDLY NO NIGHT THERE'S THINGS HALF IN SHADOW AND HALFWAY

IN LIGHT ON THE ROOFTOPS OF LONDON COO, WHAT A SIGHT. I DO WISH

WE COULD GO UP THERE. SO DO I! I LIKE CHIMNEYS.

OH, RIGHTLY SO! A CHIMNEY IS A WONDROUS THING. SHE'S

BUILT TALL RIGHT UP THERE ON THE ROOF. WHEN THE WIND IS

JUST RIGHT, IT BLOWS ACROSS HER TOP, THEN DRAWS THE SMOKE RIGHT

UP THE FLUE. HERE. FEEL THE PULL ON THE END OF THAT BRUSH.

IT'S LIKE I GOT A WHALE ON THE END OF THE LINE, AIN'T IT? MICHAEL,

BE CAREFUL. YOU NEVER KNOW WHAT MAY HAPPEN AROUND A FIREPLACE.

OH, BOTHER! MICHAEL! MICHAEL, COME BACK DOWN HERE. MICHAEL!

MICHAEL, WHERE ARE YOU? WELL, THAT'S A BIT AWKWARD. I

MUST SAY! BERT, I'LL THANK YOU TO STOP PUTTING IDEAS

IN THEIR HEADS! - THERE GOES THE OTHER ONE. - SHALL I GO AFTER 'EM?

WELL, WE CAN'T HAVE THEM GALLIVANTING UP THERE LIKE KANGAROOS,

CAN WE? MICHAEL, DON'T BE FRIGHTENED. EVERYTHING'S GOING--

WILL YOU PUT YOUR THINGS ON AT ONCE? HURRY UP,

PLEASE. SPIT SPOT! - HERE YOU ARE! I THOUGHT YOU'D

LEFT US. - WE DIDN'T MEAN TO. WELL, NO HARM DONE. THE TRUTH IS...

THIS IS WHAT YOU MIGHT CALL A FORTUITOUS CIRCUMSTANCE. LOOK THERE.

A TRACKLESS JUNGLE JUST WAITING TO BE EXPLORED. - WHY NOT,

MARY POPPINS? - OH, PLEASE, MARY POPPINS? - PLEASE!

OH, WELL. IF WE MUST, WE MUST. FALL IN. LOOK LIVELY,

LOOK LIVELY. JUMP TO IT! JUMP TO IT! GET IN LINE. ATTENTION!

A-SHOW ARMS! A-RIGHT TURN! QUICK MARCH! HELLO THERE! IT'S JUST

GOOD, CLEAN SOOT, MICHAEL. - AS FAR AS WE GO, RIGHT?

- NOT AT ALL. WHAT DID I TELL YA? THERE'S THE WHOLE WORLD

AT YOUR FEET. AND WHO GETS TO SEE IT, BUT THE BIRDS, THE STARS AND

THE CHIMNEY SWEEPS? QUITE NICE, BUT WE SHOULD ALL GET IN OUT

OF THE NIGHT AIR. FOLLOW ME, PLEASE. CHIM CHIMINY, CHIM CHIMINY CHIM

CHIM CHEREE WHEN YOU'RE WITH A SWEEP YOU'RE IN GLAD COMPANY

NOWHERE IS THERE A MORE HAPPIER CREW THEN THEM WHAT SINGS

CHIM CHIM CHEREE, CHIM CHEROO CHIM CHIMINY CHIM CHIM CHEREE

CHIM CHEROO - CHEROO! - CHEROO! - CHEROO! - CHEROO! - CHEROO! - CHEROO!

IT'S ALL ME PALS! STEP IN TIME! STEP IN TIME! - STEP IN TIME! - STEP

IN TIME! - STEP IN TIME! STEP IN TIME! STEP IN TIME, STEP IN TIME

COME ON, MATEYS, STEP IN TIME STEP IN TIME STEP IN TIME, STEP

IN TIME STEP IN TIME, STEP IN TIME NEVER NEED A REASON

NEVER NEED A RHYME WE STEP IN TIME, WE STEP IN TIME

- KICK YOUR KNEES UP! -KICK YOUR KNEES UP STEP IN TIME KICK

YOUR KNEES UP, STEP IN TIME NEVER NEED A REASON NEVER NEED

A RHYME KICK YOUR KNEES UP STEP IN TIME - ROUND

THE CHIMNEY! -ROUND THE CHIMNEY STEP IN TIME ROUND THE CHIMNEY,

STEP IN TIME NEVER NEED A REASON NEVER NEED A RHYME

ROUND THE CHIMNEY WE STEP IN TIME - CLAP LIKE A BIRDIE.

-CLAP LIKE A BIRDIE STEP IN TIME CLAP LIKE A BIRDIE, STEP

IN TIME NEVER NEED A REASON NEVER NEED A RHYME

CLAP LIKE A BIRDIE IN TIME - UP ON THE RAILING. -

UP ON THE RAILING STEP IN TIME UP ON THE RAILING, STEP IN TIME

NEVER NEED A REASON NEVER NEED A RHYME UP

ON THE RAILING STEP IN TIME - OVER THE ROOFTOPS! -OVER THE ROOFTOPS

STEP IN TIME OVER THE ROOFTOPS, STEP IN TIME NEVER NEED A REASON

NEVER NEED A RHYME STEP IT TIME, OVER THE

ROOFTOPS OVER THE ROOFTOPS LINK YOUR ELBOWS! LINK

YOUR ELBOWS, STEP IN TIME LINK YOUR ELBOWS, STEP IN TIME LINK YOUR

ELBOWS, LINK YOUR ELBOWS, LINK YOUR ELBOWS STEP IN TIME, STEP

IN TIME STEP IN TIME, STEP IN TIME NEVER NEED A REASON NEVER NEED

A RHYME WHEN YOU STEP IN TIME YOU STEP IN TIME MARY POPPINS,

STEP IN TIME! THERE YOU GO, MARY POPPINS! LUCKY OLD BERT! COME ON,

MARY POPPINS! HERE WE GO, MATE! HERE WE GO! MAKE ROOM FOR HER! GO!

- AIN'T SHE MARVELOUS? - AIN'T SHE BEAUTIFUL? LOVELY. TELL

YOUR MUM! HELLO, HELLO, HELLO! - MORE! MORE! - MARY,

DO IT AGAIN! - COME ON, MARY, DO IT AGAIN. HERE WE GO. -

WE'RE BEING ATTACKED BY HOTTENTOTS! - AYE, AYE, SIR.

CHEEKY DEVILS! GIVE 'EM WHAT FOR! - EMPTY THE SHOT LOCKERS! - AYE,

AYE, SIR! MOVE ALONG, MR. BINNACLE. HANDSOMELY NOW.

TEACH THE BEGGARS A LESSON. - GUN READY, SIR. - STAND BY.

FIRE! FIRE! WELL HIT, SIR! VERY WELL HIT! AAH! THEY'RE AT IT

AGAIN! THEY'RE AT IT AGAIN STEP IT TIME, AT IT AGAIN STEP IN

TIME THEY'RE AT IT AGAIN STEP IT TIME - OW!

-OW, STEP IN TIME OW, STEP IN TIME NEVER NEED A REASON

NEVER NEED A RHYME - WHOA! -STEP IN TIME OH, ELLEN,

WHEN YOU HAVE A SECOND. VOTES FOR WOMEN, STEP IN TIME VOTES

FOR WOMEN, STEP IN TIME OH, NO, REALLY, NOT AT THE MOMENT. -VOTES

FOR WOMEN - VOTES FOR WOMEN! - IT'S THE MASTER! -IT'S

THE MASTER, STEP IN TIME IT'S THE MASTER, STEP IN TIME - WHAT'S ALL

THIS? -WHAT'S ALL THIS - WHAT'S ALL THIS? -WHAT'S ALL THIS WHAT'S

ALL THIS WHAT'S ALL THIS WHAT'S ALL THIS -LINK YOUR ELBOWS, STEP IN

TIME - WHAT'S ALL THIS? -KICK YOUR KNEES UP - WHAT'S

ALL THIS? -STEP IN TIME -KICK YOUR KNEES UP KICK YOUR KNEES

UP - BERT. -KICK YOUR KNEES UP KICK YOUR KNEES UP IN TIME

- GOOD LUCK, GUV'NOR. - LOVELY TIME! HAD AN ELEGANT

TIME, GUV'NOR. GOOD LUCK, GUV'NOR. OH, FATHER, EVERY ONE

OF THOSE SWEEPS SHOOK YOUR HAND. YOU'RE GOING TO BE THE LUCKIEST

PERSON IN THE WORLD! - COME ALONG, CHILDREN. SPIT SPOT.

- JUST A MOMENT, MARY POPPINS. WHAT IS THE MEANING

OF THIS OUTRAGE? - I BEG YOUR PARDON? - WILL YOU BE GOOD ENOUGH

TO EXPLAIN ALL THIS? FIRST OF ALL, I WOULD LIKE TO MAKE ONE

THING QUITE CLEAR. YES? I NEVER EXPLAIN ANYTHING. YES. BANKS HERE.

MR. DAWES! I'M MOST DREADFULLY SORRY, SIR, ABOUT WHAT HAPPENED AT

THE BANK TODAY. I CAN ASSURE YOU THAT-- TONIGHT, SIR?

YES, BANKS. WE'LL EXPECT YOU AT 9:00 PRECISELY.

- WITHOUT FAIL. - WITHOUT FAIL. WHY, YES, BANKS. IT'S EXTREMELY

SERIOUS. WE REGRET THIS COURSE OF ACTION. WE REGRET

THIS COURSE OF ACTION. AFTER ALL, YOU HAVE BEEN WITH US

A GOOD MANY YEARS. - AFTER ALL, YOU HAVE BEEN

WITH US A GOOD MANY YEARS. - AS WAS YOUR FATHER BEFORE YOU. AS

WAS YOUR FATHER BEFORE YOU. YES, MR. DAWES. I SHALL

BE THERE AT 9:00. A MAN HAS DREAMS OF WALKING WITH GIANTS.

TO CARVE HIS NICHE IN THE EDIFICE OF TIME. BEFORE THE MORTAR OF

HIS ZEAL HAS A CHANCE TO CONGEAL THE CUP IS DASHED FROM HIS

LIPS! THE FLAME IS SNUFFED A-BORNING. HE'S BROUGHT TO

WRACK AND RUIN IN HIS PRIME. LIFE IS A RUM GO, GUV'NOR. AND THAT'S

THE TRUTH. YOU KNOW WHAT I THINK? IT'S THAT WOMAN MARY

POPPINS. FROM THE MOMENT SHE STEPPED INTO THIS HOUSE,

THINGS BEGAN TO HAPPEN TO ME! - MARY POPPINS? - YES, YES, OF

COURSE. MY WORLD WAS CALM WELL-ORDERED EXEMPLARY. THEN CAME THIS

PERSON WITH CHAOS IN HER WAKE AND NOW MY LIFE'S AMBITIONS GO

WITH ONE FELL BLOW IT'S QUITE A BITTER PILL TO TAKE. IT'S THAT

POPPINS WOMAN! SHE DID IT! I KNOW THE VERY PERSON YOU

MEAN. MARY POPPINS. SHE'S THE ONE WHAT SINGS...

A SPOONFUL OF SUGAR THAT IS ALL IT TAKES IT CHANGES BREAD AND

WATER INTO TEA AND CAKES YOU SEE? THAT'S EXACTLY

WHAT I MEAN! CHANGING BREAD AND WATER INTO TEA AND CAKES! INDEED!

NO WONDER EVERYTHING'S HIGGLEDY-PIGGLEDY HERE. A SPOONFUL OF SUGAR

GOES A LONG, LONG WAY HAVE YOURSELF A HEALTHY HELPIN' EVERYDAY

AN HEALTHY HELPIN' OF TROUBLE, IF YOU ASK ME. DO YOU

KNOW WHAT SHE DID? I REALIZE IT NOW. SHE TRICKED ME INTO TAKING

JANE AND MICHAEL TO THE BANK. THAT'S HOW ALL THE TROUBLE

STARTED. - TRICKED YOU INTO TAKING THE CHILDREN ON AN OUTING?

- YES. OUTRAGEOUS! A MAN WITH ALL THE IMPORTANT

THINGS YOU HAVE TO DO. SHAMEFUL! YOU'RE A MAN OF HIGH POSITION.

ESTEEMED BY YOUR PEERS. AND WHEN YOUR LITTLE TYKES ARE CRYIN'

YOU HAVEN'T TIME TO DRY THEIR TEARS AND SEE THEM GRATEFUL

LITTLE FACES SMILIN' UP AT YOU BECAUSE THEIR DAD HE ALWAYS KNOWS

JUST WHAT TO DO - WELL, I MEAN, LOOK, I, I DON'T THINK I CA-- -

LIKE YOU SAY, GUV'NOR. YOU'VE GOT TO GRIND, GRIND, GRIND

AT THAT GRINDSTONE THOUGH CHILDHOOD SLIPS LIKE SAND THROUGH

A SIEVE AND ALL TOO SOON THEY'VE UP AND GROWN AND THEN THEY'VE

FLOWN AND IT'S TOO LATE FOR YOU TO GIVE JUST THAT SPOONFUL

OF SUGAR TO HELP THE MEDICINE GO DOWN THE MEDICINE GO

DOWN MEDICINE GO DOWN WELL, GOOD-BYE, GUV'NOR. SORRY TO HAVE TROUBLED

YOU. FATHER? WE'RE SORRY ABOUT THE TUPPENCE. WE DIDN'T KNOW IT

WOULD CAUSE YOU SO MUCH TROUBLE. HERE, FATHER, YOU

CAN HAVE THE TUPPENCE. WILL THAT MAKE EVERYTHING ALL RIGHT?

THANK YOU. COME IN! TAKE YOUR HAT OFF, BANKS.

GOOD EVENING, GENTLEMEN. WELL, GET ON WITH IT. GO ON.

UH, YES, FATHER. IN 1773, AN OFFICIAL OF THIS BANK... UNWISELY

LOANED A LARGE SUM OF MONEY... TO FINANCE A SHIPMENT OF TEA

TO THE AMERICAN COLONIES. - DO YOU KNOW WHAT HAPPENED? - YES,

SIR. YES, I THINK I DO. UH, UH, AS THE SHIP LAY IN BOSTON HARBOR,

UH, A PARTY OF THE COLONISTS DRESSED AS RED INDIANS... UH,

BOARDED THE VESSEL, BEHAVED VERY RUDELY, AND, AND THREW ALL THE

TEA OVERBOARD. THIS MADE THE TEA UNSUITABLE FOR DRINKING,

EVEN FOR AMERICANS. PRECISELY. THE LOAN WAS DEFAULTED.

PANIC ENSUED WITHIN THESE WALLS. THERE WAS A RUN ON THE BANK!

FROM THAT TIME TO THIS, SIR, THERE HAS NOT BEEN A RUN ON THIS

BANK... UNTIL TODAY! A RUN, SIR, CAUSED BY THE DISGRACEFUL

CONDUCT OF YOUR SON. - DO YOU DENY IT? - I DO NOT DENY IT, SIR.

AND I SHALL BE ONLY TOO GLAD TO ASSUME RESPONSIBILITY FOR MY SON.

- WHAT ARE YOU WAITING FOR? GET ON WITH IT!

- UH, Y-YES, FATHER. - NO, NOT THAT! - STEADY ON.

WELL, DO YOU HAVE ANYTHING TO SAY, BANKS? WELL, SIR,

THEY DO SAY THAT... WHEN THERE'S NOTHING TO SAY, ALL YOU CAN SAY I-

- CONFOUND IT, BANKS! I SAID, DO YOU HAVE ANYTHING TO SAY?

- JUST ONE WORD, SIR. - YES? SUPERCALIFRAGILISTIC-

EXPIALIDOCIOUS. WHAT? SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS.

MARY POPPINS WAS RIGHT. IT'S EXTRAORDINARY. IT

DOES MAKE YOU FEEL BETTER! WHAT ARE YOU TALKING ABOUT, MAN? THERE'S

NO SUCH WORD. OH, YES. IT IS A WORD. A PERFECTLY

GOOD WORD, ACTUALLY. DO YOU KNOW WHAT THERE'S NO SUCH THING AS?

IT TURNS OUT, WITH DUE RESPECT, WHEN ALL IS SAID AND DONE,

THAT THERE'S NO SUCH THING AS YOU! - IMPERTINENCE, SIR!

- SPEAKING OF IMPERTINENCE, WOULD YOU LIKE TO HEAR A PERFECTLY

MARVELOUS JOKE? - A REAL SNAPPER! - JOKE? SNAPPER? YES. THERE ARE

THESE TWO WONDERFUL YOUNG PEOPLE, JANE AND MICHAEL. AND THEY

MEET ONE DAY ON THE STREET, AND JANE SAYS TO MICHAEL,

"I KNOW A MAN WITH A WOODEN LEG NAMED SMITH." AND MICHAEL

SAYS, "REALLY? WHAT'S THE NAME OF HIS OTHER LEG?" THE

MAN'S GONE MAD. CALL THE GUARD! SUPERCALIFRAGILISTIC-

EXPIALIDOCIOUS. I'M FEELING BETTER ALL THE TIME!

BANKS, DON'T YOU DARE STRIKE MY FATHER! THERE'S THE TUPPENCE.

THE WONDERFUL, FATEFUL... SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS

TUPPENCE. - GUARD IT WELL. GOOD-BYE! - BANKS, WHERE ARE YOU GOING?

I DON'T KNOW. I MIGHT POP THROUGH A CHALK PAVEMENT

PICTURE, AND GO FOR AN OUTING IN THE COUNTRY. OR I MIGHT SEIZE

A HORSE OFF A MERRY-GO-ROUND, AND WIN THE DERBY! OR I MIGHT

JUST FLY A KITE! ONLY POPPINS WOULD KNOW! - POPPINS?

- MY NANNY. SHE'S THE ONE WHO SINGS THAT RIDICULOUS SONG.

A SPOONFUL OF SUGAR MAKES THE MEDICINE GO DOWN THE MEDICINE

GO DOWN THE MEDICINE GO DOWN THE MEDICINE-- MAD AS A MARCH HARE.

A WOODEN LEG NAMED SMITH. A WOODEN LEG NAMED SMITH. A WOODEN LE--

FATHER? FATHER! FATHER, COME DOWN! DADDY! DADDY, COME BACK! WIND'S

COME AROUND, BLOWING DEAD ON FROM THE WEST! SHE DOESN'T

CARE WHAT HAPPENS TO US. SHE ONLY PROMISED TO STAY 'TIL THE

WIND CHANGED. ISN'T THAT RIGHT, MARY POPPINS? WILL YOU BRING

ME MY HAT STAND, PLEASE? MARY POPPINS, DON'T YOU LOVE US?

AND WHAT WOULD HAPPEN TO ME, MAY I ASK, IF I LOVED

ALL THE CHILDREN I SAID GOOD-BYE TO? YES, SIR, THAT'S RIGHT.

GEORGE W. BANKS. 17 CHERRY TREE LANE. ABOUT SIX FOOT ONE, I'D

SAY, SIR. OH, YES, WE RANG UP HIS BANK FIRST THING THIS MORNING.

THE ONLY THING WE DISCOVERED WAS, HE'D BEEN DISCHARGED LAST NIGHT.

NO TELLING WHAT HE MIGHT DO IN A FIT OF DESPONDENCY.

WOULDN'T HURT TO HAVE THEM DRAG THE RIVER. THERE'S A

NICE SPOT THERE BY SUFFOLK BRIDGE. POPULAR WITH JUMPERS.

REALLY, ELLEN! HE SEEMED TO HAVE BEEN A FINE, STABLE GENTLEMAN,

SIR. NO HANKY-PANKY, IF YOU KNOW WHAT I MEAN. - OH, REGULAR

HABITS, SIR. WELL, FAR AS ANYONE KNOWS. -THE MEDICINE GO DOWN

THE MEDICINE GO DOWN -JUST A SPOONFUL OF SUGAR - IT'S HIM!

-HELPS THE MEDICINE - OR SOMETHING THAT SOUNDS

LIKE HIM. -GO DOWN - MRS. BANKS, COULD

WE HAVE A LITTLE LESS NOISE... -ON THE PREMISES? I CAN'T MAKE

OUT WHAT THE INSPECTOR'S SAYIN'. -IN THE MOST DELIGHTFUL WAY

JUST A SPOONFUL OF SUGAR -MAKES THE MEDICINE GO DOWN -

GEORGE! OH, GEORGE, YOU DIDN'T JUMP IN THE RIVER.

HOW SENSIBLE OF YOU. IT'S ALL RIGHT, SIR. HE'S BEEN

FOUND! NO, ALIVE! OR SO I PRESUME. HE'S A-KISSIN'

A-MRS. BANKS. I'VE BEEN SO WORRIED. WHAT HAPPENED AT THE BANK?

I'VE BEEN SACKED, DISCHARGED, FLUNG INTO THE STREET. A SPOONFUL

OF SUGAR MAKES THE MEDICINE GO DOWN GONE OFF HIS CRUMPET. THAT'S

WHAT HE'S DONE. -THE MEDICINE GO DOWN - DOTTY AS YOU PLEASE. GEORGE,

WHAT ON EARTH WERE YOU DOING IN THE CELLAR? YOU'LL SEE IN A

MOMENT. WHERE ARE THE CHILDREN? JANE? MICHAEL? - YOUR FATHER'S CALLING

YOU. - IT DOESN'T SOUND LIKE FATHER. - JANE? MICHAEL? - RUN

ALONG. SPIT SPOT! YOU WON'T GO, MARY POPPINS, WILL YOU?

SPIT SPOT. HE MENDED IT! - IT'S WONDERFUL! - HOWEVER

DID YOU MANAGE IT? WITH TUPPENCE FOR PAPER AND STRINGS

YOU CAN HAVE YOUR OWN SET OF WINGS WITH YOUR FEET ON THE

GROUND YOU'RE A BIRD IN FLIGHT WITH YOUR FIST HOLDING

TIGHT TO THE STRING OF YOUR KITE OH, OH, OH LET'S GO FLY A KITE

UP TO THE HIGHEST HEIGHT LET'S GO FLY A KITE AND SEND IT SOARING

UP THROUGH THE ATMOSPHERE UP WHERE THE AIR IS CLEAR OH,

LET'S GO FLY A KITE A PROPER KITE NEEDS A PROPER TAIL,

DON'T YOU THINK? THAT'S WHAT I SAID, SIR. GO FLY A KITE!

OH, NO, SIR. NO, I, I DON'T MEAN YOU PERSONALLY. LET'S GO

FLY A KITE UP TO THE HIGHEST HEIGHT LET'S GO FLY A KITE AND

SEND IT SOARING UP THROUGH THE ATMOSPHERE UP WHERE THE

AIR IS CLEAR OH, LET'S GO FLY A KITE WHEN YOU SEND IT FLYING

UP THERE ALL AT ONCE YOU'RE LIGHTER THAN AIR YOU CAN DANCE

ON THE BREEZE OVER HOUSES AND TREES WITH YOUR FIST HOLDING

TIGHT TO THE STRING OF YOUR KITE -OH, OH, OH - NOW! LET'S

GO FLY A KITE UP TO THE HIGHEST HEIGHT LET'S GO FLY A KITE AND

SEND IT SOARING OH, THERE YOU ARE, BANKS. I WANT TO CONGRATULATE YOU.

CAPITAL BIT OF HUMOR. WOODEN LEG NAMED SMITH. OR JONES

OR WHATEVER IT WAS. FATHER DIED LAUGHING. - OH, I'M SO SORRY, SIR.

- OH, NO, NONSENSE. NOTHING TO BE SORRY ABOUT. NEVER

SEEN HIM HAPPIER IN HIS LIFE. HE LEFT AN OPENING FOR A NEW

PARTNER. CONGRATULATIONS. THANK YOU, SIR. THANK YOU

VERY MUCH INDEED, SIR. UP THROUGH THE ATMOSPHERE UP WHERE

THE AIR IS CLEAR OH, LET'S GO FLY A KITE THAT'S GRATITUDE FOR

YOU. - DIDN'T EVEN SAY GOOD-BYE. - NO, THEY DIDN'T. LOOK

AT THEM. YOU KNOW, THEY THINK MORE OF THEIR FATHER THAN THEY

DO OF YOU. - THAT'S AS IT SHOULD BE. - WELL, DON'T YOU CARE?

PRACTICALLY PERFECT PEOPLE NEVER PERMIT SENTIMENT TO MUDDLE THEIR

THINKING. IS THAT SO? WELL, I'LL TELL YOU ONE THING, MARY POPPINS,

YOU DON'T FOOL ME A BIT. -OH, REALLY?

-YES, REALLY. I KNOW EXACTLY HOW YOU FEEL ABOUT THESE CHILDREN.

AND IF YOU THINK I'M GONNA KEEP MY MOUTH SHUT ANY LONGER, I-- THAT

WILL BE QUITE ENOUGH OF THAT, THANK YOU. GOOD-BYE, MARY POPPINS.

DON'T STAY AWAY TOO LONG.

.......................................................................

Supplement:

OH, OH, OH LET'S GO FLY A KITE UP TO

THE HIGHEST HEIGHT LET'S GO FLY A KITE AND SEND IT SOARING UP

THROUGH THE ATMOSPHERE UP WHERE THE AIR IS CLEAR OH, LET'S

GO FLY A KITE MARY POPPINS OPENED ON AUGUST 27, 1964... AT

THE CHINESE THEATER IN HOLLYWOOD. COME WITH US NOW AND RELIVE

THAT HISTORICAL NIGHT... AS HOLLYWOOD GOES TO A WORLD PREMIERE.

TONIGHT, ALL OF HOLLYWOOD AWAITS THE WORLD PREMIERE... OF WALT

DISNEY'S MARY POPPINS, ACCLAIMED BY EVERYONE AS HIS GREATEST

ACHIEVEMENT, AND STARRING JULIE ANDREWS AND DICK VAN DYKE.

HERE IN THE FORECOURT OF THE RENOWNED GRAUMAN'S CHINESE

THEATER, THERE'S A SURGE OF EXCITEMENT. FAMOUS STARS ARE CHEERED

BY THE CROWDS... AND ARE CAUGHT CANDIDLY BY NEWS PHOTOGRAPHERS...

AND THE TV AND MOTION PICTURE CAMERAS. ARRIVING NOW

IS JAMES FRANCISCUS. CAESAR ROMERO. CHARMING VERA MILES.

OPERA STAR LAURITZ MELCHIOR. MARY TYLER MOORE. VIBRANT MAUREEN

O'HARA. HERE COMES DAVY CROCKETT'S SIDEKICK, BUDDY EBSEN. IN THE

GRAND TRADITION, BRIAN KEITH... AND ACADEMY AWARD WINNER

CELESTE HOLM SIGN AUTOGRAPHS. THAT GOOD LUCK CHARM OF DISNEY

FILMS, ED WYNN. OVER THERE, THOSE TWO FINE YOUNG ACTORS, TOM TRYON

AND RODDY MCDOWELL. AT THE MICROPHONE IS VIVACIOUS ANNETTE.

GEORGE MURPHY. THAT WONDERFUL STAR OF FILMS AND TELEVISION, WALTER

BRENNAN. DANCER ANN MILLER AND SONGSTRESS CATHERINE GREYSON.

LOVELY CAROL LYNLEY. EPHREM ZIMBALIST, JR. ENCHANTING ANGIE DICKINSON.

THERE'S BRIGHT, BOUNCY CONNIE STEVENS. NOW, HERE COMES DICK

VAN DYKE, ONE OF THE BRIGHT STARS OFMARY POPPINS. AND WITH

HIM IS HIS WONDERFUL FAMILY. ONE OF THE HIGHLIGHTS

OF THE SHOW IS THE DANCE... THAT DICK DOES WITH A GROUP OF COMICAL

PENGUINS. WHEE! WHEE! WHEE! WHEE! WHEE! WHEE! GEE, YOU GOT

A LOVELY FAMILY. IS THIS ALL OF 'EM, DICK? NO, I HAVE A TWO-AND-

A-HALF- YEAR-OLD GIRL WHO WAS TOO YOUNG TO COME, LOUIE. I

WISH SHE WAS HERE. SHE'S WATCHING RIGHT NOW. - HI, CARRIE BETH.

- AW, THAT'S SWEET. YOU KNOW, DICK, WE JUST LEARNED THAT YOU NOT ONLY

LEAR-- HAD TO LEARN TO DANCE WITH PENGUINS, BUT YOU

HAD TO LEARN TO SING IN A WHOLE NEW LANGUAGE... THAT WAS, UH, UH-

- OH, IT HAD A WORD IN IT LIKE, UH, SUPER, S-- - MAYBE YOU CAN TELL

THEM. - OH, SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS. OH,

SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS EVEN THOUGH THE SOUND

OF IT IS SOMETHING QUITE ATROCIOUS IF YOU SAY IT LOUD ENOUGH

YOU'LL ALWAYS SOUND PRECOCIOUS SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS

UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY UM DIDDLE DIDDLE

DIDDLE UM DIDDLE AY UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY

UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY HE'S TRAVELED

ALL AROUND THE WORLD AND EVERYWHERE HE WENT HE'D USE HIS WORD

AND ALL WOULD SAY, THERE GOES A CLEVER GENT WHEN DUKES AND MAHARAJAHS

PASS THE TIME OF DAY WITH ME I'D SAY ME SPECIAL WORD AND THEN

THEY'D ASK ME OUT TO TEA OOH, SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS

EVEN THOUGH THE SOUND OF IT IS SOMETHING QUITE ATROCIOUS

IF YOU SAY IT LOUD ENOUGH YOU'LL ALWAYS SOUND PRECOCIOUS SUPERCALIFRAGI

LISTIC- EXPIALIDOCIOUS UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY

UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY YOU KNOW,

YOU CAN SAY IT BACKWARDS, WHICH IS... DOCIOUSALIEXPIISTIC- FRAGILCALIRUPUS.

- BUT THAT'S GOING A BIT TOO FAR, DON'T YOU THINK? - INDUBITABLY.

SO WHEN THE CAT HAS GOT YOUR TONGUE

THERE'S NO NEED FOR DISMAY - HEAR, HEAR! - JUST

SUMMON UP THIS WORD AND THEN YOU'VE GOT A LOT TO SAY BUT BETTER

USE IT CAREFULLY OR IT CAN CHANGE YOUR LIFE UH, SUPERCALIFRAGILISTIC-

EXPIALIDOCIOUS SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS

SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS SUPERCALIFRAGILISTIC-

EXPIALIDOCIOUS WELL, IT'S MY THIRD MOTION PICTURE, BUT

THE BEST ONE I'VE EVER BEEN IN, THE BEST ONE... I EVER WILL BE IN,

IF I LIVE TO BE 150 YEARS OLD. TO ME, THIS IS

THE GREATEST FAMILY CLASSIC OF ALL TIME, LOUIE. I'M SO PROUD

TO BE IN THIS PICTURE, I CAN'T STAND IT. NOW, A MOMENT OF EXCITEMENT.

FROM THE REACTION OF THE CROWD, IT APPEARS... THAT WALT

DISNEY IS ARRIVING. WALT DISNEY, THE MAN WHO MADE IT ALL POSSIBLE...

BY BRINGINGMARY POPPINS TO THE SCREEN. HE'S MAKING HIS

WAY THROUGH THE ADMIRING CROWD, SURROUNDED BY HIS WONDERFUL

DISNEYLAND CHARACTERS. WALT'S LAST PREMIERE WAS IN 1937...

FORSNOW WHITE AND THE SEVEN DWARFS. - HELLO, WALT. HOW

ARE YOU? - THIS IS MRS. DISNEY. HELLO. HOW DO YOU DO? - HOW'S

EVERYTHING GOING? - WALT, IT'S JUST BEEN THE GREATEST NIGHT...

THAT I'VE EVER SEEN IN HOLLYWOOD AND I'VE BEEN HERE 33 YEARS.

WELL, PEOPLE THAT HAVE SEEN IT JUST SAY THAT IT'S FABULOUS. - YEAH,

WE HAD FOUR OF THEM THERE - JUST FABULOUS. SAY, I'M LOOKING

UP AND I SEE SOMETHING HAPPENING IN THE SKY. HERE COMES MARY

POPPINS NOW! - PERHAPS IT'S A WITCH. - OF COURSE NOT. WITCHES

HAVE BROOMS. IT'S JULIE ANDREWS, INCOMPARABLE BROADWAY STAR...

OFMY FAIR LADY AND CAMELOT, NOW STARRING IN HER FIRST MOTION

PICTURE, AS MARY POPPINS. HOW DID YOU PICK JULIE FOR THE PART?

WELL, UH, I WENT, UH, TO NEW YORK, AND I CAUGHT THE

PERFORMANCE OFCAMELOT. OF COURSE, I'D HEARD HER

RECORDS AND THINGS, BUT IT WASCAMELOT THAT I SAW HER IN. AND THEN

I WENT BACKSTAGE AND I TRIED... TO TALK HER INTO THE THING,

AND, UH, I TRIED TO CONVINCE HER... I WAS CAPABLE OF MAKING A, A

PICTURE WITH, UH, LIVE ACTORS AS WELL AS CARTOONS. I DIDN'T

KNOW WHAT SHE THOUGHT OF ME AND EVERYTHING. I THINK I PUT

ON QUITE A, UH, AN ACT THERE THAT NIGHT, DIDN'T I? I WAS VERY IMPRESSED,

WALT. WELL, YOU MUST HAVE BEEN IMPRESSED, BECAUSE

ALL I CAN TELL YOU... IS THE GENIUS OF JULIE ANDREWS AND THE GENIUS

OF WALT DISNEY... HAVE MADE PROBABLY ONE OF THE ALL-TIME GREAT...

MOTION PICTURES THAT WE'VE EVER MADE IN THIS CRAZY TOWN OF

HOLLYWOOD. YOU KNOW, JULIE, "SPOONFUL OF SUGAR"

THAT YOU SING SUMS UP... - THE WHOLE PERSONALITY OF MARY POPPINS

IN THE PICTURE. - YES, IT DOES. SHE TRIES TO BRING

HAPPINESS TO EVERYONE. AND RIGHT NOW WE'RE GOING TO SHOW OUR

AUDIENCE THAT SONG. FOR A SPOONFUL OF SUGAR HELPS THE MEDICINE GO

DOWN THE MEDICINE GO DOWN MEDICINE GO DOWN JUST A SPOONFUL OF

SUGAR HELPS THE MEDICINE GO DOWN IN A MOST DELIGHTFUL WAY THE HONEYBEES

THAT FETCH THE NECTAR FROM THE FLOWERS TO THE COMB NEVER

TIRE OF EVER BUZZING TO AND FRO BECAUSE THEY TAKE A

LITTLE NIP FROM EVERY FLOWER THAT THEY SIP - AND HENCE - AND HENCE

- THEY FIND - THEY FIND THEIR TASK IS NOT A GRIND CHEEKY. SO,

FOR HOLLYWOOD, IT'S A NIGHT OF DAZZLING STARS, EXCITEMENT

AND COLORFUL CELEBRATION. FOR WALT DISNEY, ANOTHER TRIUMPH

IN THE WORLD OF MOTION PICTURES. AND FORMARY POPPINS, AN ENTHUSIASTIC

GREETING... AS HOLLYWOOD GOES TO A WORLD PREMIERE.



laserdiscside4

MICHAEL, LOOK! - PERHAPS IT'S A WITCH. - OF COURSE NOT.

- WITCHES HAVE BROOMS. - IT'S THAT POPPINS WOMAN! MARY POPPINS! OH, OF COURSE.

MARY POPPINS. MARY POPPINS-- IS THAT YOUR NAME? THAT'S HER NAME.

AND HERE'S THE BEHIND-THE-SCENES STORY OF THE MAKING... OF WALT DISNEY'S

SUPERCALIFRAG- ILISTICEXPIALIDOCIOUS MASTERPIECE.

"MARY POPPINS. PRACTICALLY PERFECT IN EVERY WAY." MARY

POPPINS-- WHICH WAS FILMED ON THIS SOUND STAGE-- WAS THE

STUDIO'S TRIUMPH OF SPECIAL EFFECTS, ANIMATION AND LIVE ACTION.

IT ALSO WON FIVE OSCARS-- MORE THAN ANY SINGLE DISNEY FILM HAD, BEFORE

OR SINCE. BUT THOSE OF US WHO WORKED ON THE FILM,

AND ALL OF US WHO HAVE COME TO LOVE IT, KNOW IT WAS THE STORY

BENEATH THE SPECIAL EFFECTS... THAT TURNED THE MOVIE INTO

AN ENDURING CLASSIC. IN A WAY, MARY POPPINS IS THE CULMINATION OF WALT'S

CAREER, IN THAT IT DRAWS ON EVERYTHING HE LEARNED HOW TO DO:

BLENDING ANIMATION AND LIVE ACTION, INTEGRATING SONGS WITH STORY,

AND OF COURSE, NOT THE LEAST, HIS GREAT EYE FOR TALENT.

BECAUSE, AFTER ALL, HE'S THE ONE WHO BROUGHT JULIE ANDREWS... TO

HOLLYWOOD-- FOR THE FIRST TIME-- TO MAKE THIS FILM. WHAT MANY

PEOPLE DON'T REALIZE IS THAT WALT'S DISNEY'S... INTEREST IN MARY

POPPINS DATED BACK TO 1939. MARY POPPINS HAD BEEN PUBLISHED

IN 1934... AND WAS WILDLY POPULAR IN ENGLAND. WALT'S BROTHER,

ROY DISNEY, BEGAN NEGOTIATIONS... WITH THE AUTHOR, P.L. TRAVERS,

IN 1944, WHILE TRAVERS WAS LIVING IN NEW YORK... TO ESCAPE

THE NAZI BOMBINGS OF LONDON. MANY YEARS WENT BY, BUT

THE TENACIOUS MRS. TRAVERS... FINALLY RELEASED THE FILM RIGHTS...

TO THE EQUALLY DETERMINED MR. DISNEY IN 1961. MARY POPPINS

IS A LIVE MUSICAL FANTASY. THE WHOLE STORY IS-IS CARRIED OUT

BY ACTORS, AND IT'S, UH-- OF COURSE WE HAVE A LOT OF TRICKS

OF THE TRADE HERE... THAT WE INCORPORATE INTO MARY POPPINS. INSTEAD

OF GIVING THE BOOK TO A SCREENWRITER OR ANIMATION DIRECTOR,

WALT FIRST CALLED UPON SONGWRITERS TO LOOK ATMARY

POPPINS. OUR SONGWRITERS, DICK AND BOB SHERMAN. THE SHERMAN BROTHERS

HAD STARTED WORKING FOR WALT... DOING INCIDENTAL SONGS, BUT WHEN

HE CAME TO THEM AND PROPOSEDMARY POPPINS, THIS WAS ON A-- AGAIN,

ON A DIFFERENT PLATEAU. HE KNEW IT, AND HE MADE THEM KNOW IT TOO.

HE GOT THEM INVOLVED IN HELPING TO BUILD THE STORY. THE

SONGS CAME OUT OF THE STORY, AND THE STORY LED TO THE SONGS. IT WAS

A PERFECT INTEGRATION OF MUSIC AND STORYTELLING. ONE DAY WALT HANDED

US A BOOK, AND IT WASMARY POPPINS, AND HE SAID, UH, "READ IT

AND TELL ME WHAT YOU FELLAS THINK ABOUT IT." WE CIRCLED

SIX CHAPTERS. - AN AMAZING THING HAPPENED. - WALT OPENED HIS COPY

OF THE BOOK... - AND HE HAD CIRCLED THE SAME

SIX CHAPTERS. - WHAT A FEELING. THE SHERMAN BROTHERS SET TO

WORK WITH STORY MAN DON DAGRADI, WHO DEVELOPED THEIR STORY IDEAS

THROUGH DRAWINGS. DON DAGRADI CAME IN ONE DAY WITH A SKETCH...

OF A LITTLE CHIMNEY SWEEP... CARRYING HIS BROOMS AND WHISTLING,

AND I SAID, "THIS IS A SONG." CHIM CHIMINY, CHIM CHIMINY

CHIM CHIM CHEREE A SWEEP IS AS LUCKY AS LUCKY CAN BE

CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEROO GOOD LUCK WILL

RUB OFF WHEN I SHAKES HANDS WITH YOU IN CASTING THE PIVOTAL ROLE

OF THE MAGIC NANNY, A BRIGHT YOUNG MUSICAL STAR CAUGHT WALT'S

EYE. IT'S JULIE ANDREWS, INCOMPARABLE BROADWAY STAR...

OFMY FAIR LADY ANDCAMELOT. HOW DID YOU PICK JULIE FOR THE PART?

WELL, UH, I WENT, UH, TO NEW YORK... AND I CAUGHT

THE PERFORMANCE OFCAMELOT. OF COURSE, I'D HEARD HER

RECORDS AND THINGS, BUT IT WASCAMELOT THAT I SAW HER IN. AND

THEN I WENT BACKSTAGE AND I TRIED TO TALK HER INTO THE THING, AND,

UH, I TRIED TO CONVINCE HER I WAS, UH, CAPABLE OF MAKING

A-- A PICTURE WITH LIVE ACTORS AS WELL AS CARTOONS. I DIDN'T

KNOW WHAT SHE THOUGHT OF ME AND EVERYTHING. I THINK I PUT

ON QUITE A, UH, - AN ACT THERE THAT NIGHT, DIDN'T I?

- I WAS VERY IMPRESSED, WALT. FOR A SPOONFUL OF SUGAR HELPS

THE MEDICINE GO DOWN - THE MEDICINE GO DOWN - WHEN YOU SEE JULIE

ANDREWS INMARY POPPINS... SHE'S SO PERFECT, SHE'S SO WONDERFUL,

YOU WONDER HOW ANYBODY COULD HAVE TURNED HER DOWN-- FOR ANYTHING-

- AND YET, THE GREAT IRONY WAS, THAT WAS THE SAME YEAR THAT

MY FAIR LADY CAME TO THE SCREEN, AND THAT WAS THE ROLE... THAT SHE

HAD MADE HER OWN ON BROADWAY, BUT JACK WARNER... OF WARNER BROTHERS

PASSED HER BY FOR THE MOVIE. HE DIDN'T THINK THAT SHE WAS MOVIE

MATERIAL. IN A CASTING CHOICE THAT MANY CRITICS THOUGHT ODD, WALT

CHOSE ALL-AMERICAN DICK VAN DYKE... AS MARY POPPINS'

COCKNEY COMPANION, BERT. WELL, IT'S MY THIRD MOTION PICTURE,

BUT THE BEST ONE I'VE EVER BEEN IN, THE BEST ONE... I EVER WILL BE

IN, IF I LIVE TO BE 150 YEARS OLD. OH, IT'S A JOLLY HOLIDAY

WITH MARY MARY MAKES YOUR HEART SO LIGHT

YOU HAVEN'T CHANGED A BIT, HAVE YOU? DICK VAN DYKE WAS KNOWN

BY THEN AS THE STAR... OF HIS WEEKLY TV COMEDY SERIES, AND, UH, HE

WAS WONDERFUL IN IT. BUT HE'D ALREADY BEEN ON BROADWAY AS A MUSICAL...

COMEDY STAR IN BYE BYE BIRDIE, AND... MARY POPPINS LET HIM

SHOW ALL HIS TALENTS. A NATURAL DANCER, A WONDERFUL SINGER, A

MAN OF JUST TREMENDOUS CHARM AND PRESENCE. CHILD ACTORS KAREN

DOTRICE AND MATTHEW GARBER, WHO HAD STARRED IN DISNEY'S THREE

LIVES OF THOMASINA, WERE CAST AS THE BANKS CHILDREN, JANE AND MICHAEL.

WE BETTER KEEP AN EYE ON THIS ONE. - SHE'S

TRICKY. - SHE'S WONDERFUL. FILM AND STAGE STAR GLYNIS JOHNS...

WAS CAST AS THE SUFFRAGETTE, MRS. BANKS. I DON'T

THINK WE NEED BOTHER THE POLICE, DEAR. - THE FACTS OF THE MATTER-

- - KINDLY DO NOT ATTEMPT TO CLOUD THE ISSUE WITH FACTS. PRIM

BRITISH ACTOR DAVID TOMLINSON... JOINED MARY POPPINS AS MR. BANKS.

DISNEY FAVORITE ED WYNN MADE A CAMEO APPEARANCE AS UNCLE ALBERT.

AND THE ROLE OF THE BIRD WOMAN WAS PLAYED BY JANE DARWELL,

BEST KNOWN FOR HER ROLE AS MA JOAD INTHE GRAPES OF WRATH. MARY

POPPINS WAS HER LAST FILM. BUT ESTABLISHING A DISTINGUISHED HUMAN

CAST FOR MARY POPPINS... WAS ONLY HALF THE JOB. THERE WAS AN ANIMATED

CAST OF COSTARS TOO, AND ALL OF THESE ACTORS HAD TO PERFORM

TOGETHER... IN A FANTASY WORLD. COMBINING ACTORS AND ANIMATED CHARACTERS ALLOWS YOU...

TO CREATE SCENES AND SITUATIONS... THAT COULD NEVER HAPPEN IN REAL LIFE.

LONG BEFORE ROGER RABBIT WAS JUST

A GLEAM IN AN ANIMATOR'S EYE, WALT DISNEY WAS EXPERIMENTING

WITH A WAY TO PLACE PEOPLE... IN AN ANIMATED WORLD. THIS RARE SILENT

FILM WAS MADE IN 1923. LIVE ACTION AND ANIMATION CAME TOGETHER...

IN SEAMLESS PERFECTION, IN A FILM THAT BECAME A CLASSIC.

THANK YOU. MENU HASN'T CHANGED IN 25 YEARS. YOU'VE PUT ON

A LITTLE WEIGHT THOUGH, MAX. LOOKING AT THAT SCENE FROMMARY POPPINS,

YOU MUST BE ASKING YOURSELF ONE OF TWO QUESTIONS: "HOW DID

THEY PUT JULIE AND ME IN THAT SCENE?" OR, "WHEN DID VAN DYKE'S HAIR

TURN WHITE?" WE'LL ATTACK THESE ONE AT A TIME. FIRST, THE

DASHING YOUNG PERFORMER IS FILMED... DANCING IN FRONT

OF A NEUTRAL BACKGROUND. NEXT, PENCIL SKETCHES OF THE ANIMATED

CHARACTERS... ARE CREATED AS A GUIDE. WHEE! WHEE! WHEE! THE PENGUINS

AND THE BACKGROUND ARE FULLY ANIMATED. AND FINALLY, THE

ELEMENTS ARE COMBINED. IT'S A JOLLY HOLIDAY WITH MARY

NO WONDER THAT IT'S MARY THAT WE LOVE THE WARM AND NOSTALGIC

LONDON SETTINGS FORMARY POPPINS... WERE ALSO CREATED BY MOVIE MAGIC,

ENTIRELY AT THE DISNEY STUDIO. IN THE '50S, WALT HAD ALSO

ACQUIRED THE SERVICES... OF A VERY TALENTED PAINTER NAMED PETER ELLENSHAW,

WHO BECAME THE UNDISPUTED MASTER OF THE MATTE PAINTING,

WHICH IS A PAINTING ON GLASS. YOU PAINT ON A PIECE OF

GLASS THAT'S THEN POSITIONED IN FRONT OF THE CAMERA. WHEN

THE CAMERA LOOKS AT THE PAINTING... AND THERE'S A PIECE OF GLASS

LEFT OPEN, THE PIECE OF GLASS THAT'S CLEAR SEES THE ACTUAL SET...

AND COMBINES IT WITH THE PAINTING. I PAINTED A VIEW OF

THE CITY OF LONDON AT-- IN LATE AFTERNOON, AND THE SUN HAD ALREADY

GONE DOWN IN THE PAINTING. AND BEHIND THE GLASS-- 'CAUSE I'D PAINTED

IT ON GLASS, AS I HAVE ON THIS, HAD ON THIS ONE-- MADE

LITTLE HOLES IN THE PAINT... SO THAT WE COULD PUT LIGHTS

BACK OF IT... AND THE LIGHTS WOULD ALL COME ON GRADUALLY, ALL

OVER THE CITY, OR APPEAR TO. IN MANY WAYS,MARY POPPINS... WAS

PETER ELLENSHAW'S MASTERPIECE AS WELL AS WALT'S... BECAUSE

HE PAINTED 102 GLASS PAINTINGS, AND THEY'RE JUST BRILLIANT. YOU

KNOW, THE CAST NEVER LEFT BURBANK. NOT ONLY DIDN'T THEY EVER

LEAVE BURBANK, THEY DIDN'T SET FOOT OUTDOORS. THEY NEVER WENT OUTSIDE

A SOUND STAGE, AND YET THIS FILM TAKES PLACE ON THE ROOFTOPS

OF LONDON, IN THE SKIES OVER LONDON, AND A VARIETY OF FANCIFUL

SETTINGS, AND MANY OF THOSE SETTINGS WERE MADE POSSIBLE... AND

TANGIBLE BY ELLENSHAW'S GREAT ARTISTRY. EVEN WALT'S NEWEST

TECHNOLOGY, AUDIO-ANIMATRONICS, HAD A FEATURED ROLE INMARY

POPPINS. THIS IS A LITTLE ROBIN THAT WE HAD IN MARY POPPINS,

- AH. I SEE. - AND THIS LITTLE BIRD SANG A DUET

WITH JULIE ANDREWS. MARK BREAUX AND DEE DEE WOOD, WHO HAD ASSISTED...

LEGENDARY CHOREOGRAPHER MICHAEL KIDD, WERE BROUGHT

ON TO DIRECT THE DANCING, NOT ONLY OF THE PRINCIPAL CAST,

BUT OF CHIMNEY SWEEPS, BANK EXECUTIVES, AND EVEN PENGUINS.

MARY POPPINS STEP IN TIME IN THIS RARE, NEVER-BEFORE-

SEEN FOOTAGE, THE CHIMNEY SWEEPS REHEARSE THE LIVELY "STEP IN TIME"

NUMBER... IN THE SUMMER HEAT ON THE DISNEY BACK LOT. CHOREOGRAPHER

DEE DEE WOOD STANDS IN FOR JULIE ANDREWS. THAT'S IT! HERE WE GO!

- AIN'T SHE MARVELOUS? - AIN'T SHE BEAUTIFUL? LOVELY TILL YA, MUM.

THIS RAUCOUS ROUTINE WAS SUGGESTED... BY ENGLISHMAN PETER ELLENSHAW,

AND BASED ON A TRADITIONAL BRITISH PUB DANCE, "KNEES UP, MOTHER

BROWN." WALT CAME, SAT DOWN. "ALL RIGHT. WHAT ARE YOU GONNA

DO?" I SAID, "WELL, IT'S THIS DANCE... THAT I LEARNED

IN ENGLAND, WALT." AND, UH, HE WAS A KIND OF COOL AUDIENCE.

IT WAS CALLED "KNEES UP, MOTHER," AND YOU LINK ARMS AND YOU

DANCE ACROSS THE ROOM. STEP IN TIME! STEP IN TIME! STEP IN TIME! COME ON, MATEY!

STEP IN TIME! - STEP IN TIME! - MARY POPPINS,

STEP IN TIME! ALL THROUGH 1964, EVERY SOUND STAGE AT THE DISNEY STUDIO...

BUSTLED WITH THE PRODUCTION OFMARY POPPINS. I NEVER SAW

A SAD FACE AROUND THE STUDIO. THIS MADE ME NERVOUS. THEN THE HORRIBLE

THOUGHT STRUCK ME-- SUPPOSE THE STAFF HAD

FINALLY CONCEDED THAT I KNEW WHAT I WAS DOING. THIS RARE OUTTAKE

EXEMPLIFIES THE HAPPY MOOD... OF THEMARY POPPINS PRODUCTION.

CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEREE WHEN

YOU'RE WITH A SWEEP YOU'RE IN GLAD COMPANY NOWHERE IS THERE A

MORE HAPPIER CREW THEN THEM WHAT SINGS CHIM CHIM CHEREE CHIM CHEROO

- FIRE! - LIGHT UP THE SKY. IT'S THE ENTERTAINMENT

THRILL OF A LIFETIME. WHILEMARY POPPINS WAS IN PRODUCTION,

DISNEY GEARED UP ONE OF THE LARGEST AND MOST ENTHUSIASTIC...

PROMOTIONAL CAMPAIGNS IN THE HISTORY OF THE STUDIO. MARY POPPINS-

- THE FABULOUS ADVENTURES... OF THE WORLD'S MOST CHARMING

AND DELIGHTFULLY ECCENTRIC HEROINE. IN GRAND

HOLLYWOOD STYLE, MARY POPPINS MET THE WORLD. TONIGHT, ALL OF HOLLYWOOD

AWAITS THE WORLD PREMIERE... OF WALT DISNEY'S MARY POPPINS.

HERE IN THE FORECOURT OF THE RENOWNED GRAUMAN'S CHINESE

THEATER, THERE'S A SURGE OF EXCITEMENT. FAMOUS STARS ARE CHEERED

BY THE CROWDS. CRITICS GREETED THE FILM WITH RAVES UNLIKE

ANY... SEEN AT DISNEY SINCE SNOW WHITE AND THE SEVEN DWARFS.

IN 1965,MARY POPPINS WAS HONORED... WITH 13 ACADEMY AWARD NOMINATIONS

, AND WENT ON TO WIN FIVE OSCARS, INCLUDING BEST ACTRESS

FOR THE WOMAN... WHO WASN'T CONSIDERED "MOVIE MATERIAL,"

JULIE ANDREWS. OH, THIS IS LOVELY. UH, I KNOW YOU AMERICANS ARE FAMOUS FOR YOUR HOSPITALITY,

BUT THIS IS REALLY RIDICULOUS. IN 1991,

JULIE ANDREWS WAS HONORED... AT THE DISNEY STUDIO AS A "DISNEY

LEGEND." MARY POPPINS WAS THE FIRST FILM I EVER MADE.

UH, WALT WAS KIND ENOUGH TO BRING ME TO HOLLYWOOD, AND IT WAS THE

BEST LEARNING EXPERIENCE I COULD EVER HAVE HAD. APART FROM ANYTHING

ELSE, IT TAUGHT ME HOW TO FLY. MARY POPPINS ALSO WON AN OSCAR...

FOR ITS FANTASTIC VISUAL EFFECTS. THE SHERMAN BROTHERS'

MUSICAL SCORE WON AN ACADEMY AWARD, AS DID THEIR POPULAR SONG, "CHIM

CHIM CHER-EE." AWARDS AND ACCOLADES ASIDE, IN MARY POPPINS,

WALT DISNEY FOUND A SPECIAL MEANING THAT MOVED HIM DEEPLY.

THIS WAS WALT DISNEY'S OFFICE. AND OFTEN, ON FRIDAYS,

HE'D ASK US... TO COME DOWN AND, AND TALK WITH HIM. THEN

HE'D SAY, UH, HE'D LOOK TO ME AND SAY, "PLAY IT." AND, UH, I PRETTY

MUCH KNEW WHAT HE WANTED. HE WANTED TO HEAR HIS FAVORITE

SONG. EVERY TIME I PLAYED IT, HE WOULD SORT OF GO OUT, LOOK AT THE

WINDOW, LOOK OUTSIDE, AND GET A LITTLE MISTY-EYED. IT WAS

REALLY HIS VERY FAVORITE. AFTER HE WAS GONE, I'D STILL COME

DOWN... ON FRIDAY AFTERNOON AND PLAY IT FOR HIM. EARLY EACH DAY

TO THE STEPS OF SAINT PAUL'S THE LITTLE OLD BIRD WOMAN

COMES IN THE END, THE FILM THAT TOUCHED HIM SO PERSONALLY... WAS

ALSO WALT DISNEY'S GREATEST PROFESSIONAL TRIUMPH. I THINK HE

SAW-- AS HE ALWAYS HAD A KNACK OF SEEING-- HE SAW IN THIS MATERIAL

SOMETHING FAR ABOVE THE ORDINARY, SOMETHING THAT WAS

WORTH SPENDING TIME AND MONEY... TO TURN INTO SOMETHING THAT MIGHT

LIVE ON, AND MIGHT BE MORE THAN JUST ANOTHER GOOD MOVIE.

AND INDEED, THAT'S WHAT HE BUILT. HE BUILT HIMSELF A GREAT MOVIE

THAT I THINK IS HIS MASTERPIECE. GOOD-BYE, MARY POPPINS. DON'T

STAY AWAY TOO LONG. BEFORE SHOOTING BEGAN ONMARY POPPINS, THE

ENTIRE FILM WAS PLANNED OUT SHOT BY SHOT... IN STORYBOARD DRAWINGS.

THE FOLLOWING IS PART OF THE "JOLLY HOLIDAY" SEQUENCE FROM THE

COMPLETED FILM... SHOWN IN SPLIT SCREEN WITH THE CORRESPONDING

ORIGINAL... STORYBOARD DRAWINGS. NOW THEN, WHAT'D BE NICE?

WE'LL START WITH RASPBERRY ICE AND THEN SOME CAKES AND

TEA - ORDER WHAT YOU WILL - THERE'LL BE NO BILL IT'S COMPLIMENTARY

YOU'RE VERY KIND. ANYTHING FOR YOU, MARY POPPINS. YOU'RE OUR

FAVORITE PERSON. RIGHT YOU ARE. IT'S TRUE THAT MAVIS AND SYBIL

HAVE WAYS THAT ARE WINNIN' AND PRUDENCE AND GWENDOLYN

SET YOUR HEARTS SPINNIN' PHOEBE'S DELIGHTFUL MAUDE IS DISARMING

- JANICE - FELICIA - LYDIA - CHARMING CYNTHIA'S DASHING, VIVIAN'S

SWEET, STEPHANIE'S SMASHING PRISCILLA A TREAT - VERONICA

- MILLICENT - AGNES - AND JANE CONVIVIAL COMPANY TIME AND AGAIN

DORCAS AND PHYLLIS AND GLYNIS ARE SORTS I'LL AGREE THEY'RE

THREE JOLLY GOOD SPORTS BUT CREAM OF THE CROP TIP OF THE TOP

IT'S MARY POPPINS AND THERE WE STOP WHEN MARY HOLDS YOUR HAND

YOU FEEL SO GRAND YOUR HEART STARTS BEATIN' LIKE A BIG BRASS

BAND IT'S A JOLLY HOLIDAY WITH MARY NO WONDER THAT

IT'S MARY THAT WE LOVE NO WONDER THAT IT'S MARY THAT

WE LOVE NO WONDER THAT IT'S MARY THAT WE LOVE IN THE MAKING

OFMARY POPPINS, THE COMPLEX PROCEDURES... OF ANIMATION HAD TO

BE COMBINED WITH LIVE ACTION. THE FOLLOWING SHOWS THE

STEPS OF THIS PROCESS... AS IT APPEARS IN THE "JOLLY HOLIDAY"

SEQUENCE. OH, IT'S A JOLLY HOLIDAY WITH MARY MARY MAKES

YOUR HEART SO LIGHT WHEN THE DAY IS GRAY AND ORDINARY

MOO-ARY MAKES THE SUN SHINE BRIGHT OH, HAPPINESS

IS BLOOMIN' ALL AROUND HER THE DAFFODILS ARE SMILING AT

THE DOVE - OINK! OINK! -WHEN MARY HOLDS

YOUR HAND YOU FEEL SO GRAND YOUR HEART STARTS BEATIN' LIKE

A BIG BRASS BAND IT'S A JOLLY HOLIDAY WITH MARY NO

WONDER THAT IT'S MARY THAT WE LOVE - THANK YOU.

- OUR PLEASURE, MARY POPPINS. WAITER. WAITER? NOW THEN,

WHAT'D BE NICE? WE'LL START WITH RASPBERRY ICE AND THEN

SOME CAKES AND TEA - ORDER WHAT YOU WILL - THERE'LL BE NO

BILL IT'S COMPLIMENTARY YOU'RE VERY KIND. ANYTHING FOR YOU, MARY

POPPINS. YOU'RE OUR FAVORITE PERSON. WHEE! WHEE! WHEE!

WHEE! WHEE! WHEE! WHEN MARY HOLDS YOUR HAND YOU FEEL SO GRAND

YOUR HEART STARTS BEATIN' LIKE A BIG BRASS BAND WHOO! IT'S

A JOLLY HOLIDAY WITH MARY NO WONDER THAT IT'S MARY THAT

WE LOVE NO WONDER THAT IT'S MARY THAT WE LOVE NO WONDER

THAT IT'S MARY THAT WE LOVE - FIRE! - LIGHT UP THE SKY!

IT'S THE ENTERTAINMENT THRILL OF A LIFETIME. MARY POPPINS--

WALT DISNEY'S NEWEST AND MOST DELIGHTFULLY ENTERTAINING MOTION

PICTURE. STARRING THE TOAST OF BROADWAY'S MUSICAL STAGE,

THE INCOMPARABLE JULIE ANDREWS. FOR A SPOONFUL OF SUGAR HELPS

THE MEDICINE GO DOWN THE MEDICINE GO DOWN MEDICINE GO DOWN JUST A

SPOONFUL OF SUGAR HELPS THE MEDICINE GO DOWN IN A MOST DELIGHTFUL

WAY AND AMERICA'S FABULOUS FUNNYMAN, DICK VAN DYKE, AS YOU'VE NEVER

SEEN HIM BEFORE. MARY POPPINS-- THE FABULOUS ADVENTURES OF THE WORLD'S...

MOST CHARMING AND DELIGHTFULLY ECCENTRIC HEROINE. I CAN

TELL YOU ONE THING, WINNIFRED. I DON'T PROPOSE STANDING IDLY BY...

AND LETTING THAT WOMAN, MARY POPPINS,

UNDERMINE THE DISCIPLINE AND-- THERE'S SOMETHING ODD, I MAY SAY

EXTREMELY ODD... ABOUT THE BEHAVIOR OF THIS HOUSEHOLD

SINCE THAT WOMAN ARRIVED. YES, DEAR? AH! THEY'RE AT IT AGAIN! YES,

THE WONDROUS AND MAGICAL WAYS OF WALT DISNEY'S MARY POPPINS,

SO COMPLETELY AND SO HILARIOUSLY DISCOMBOBULATE THE

FAMILY... WITH WHOM SHE COMES TO STAY, IN SUCH DELIGHTFULLY AMAZING

WAYS, THEIR LIVES ARE NEVER AGAIN QUITE THE SAME. AND

NOR WILL YOURS BE, WHEN YOU'VE BEEN TOUCHED... BY THE MAGIC OF

THIS MAGNIFICENT NEW MOTION PICTURE... FROM WALT DISNEY,

MARY POPPINS. OH, IT'S A JOLLY HOLIDAY WITH MARY

OH, SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS EVEN THOUGH

THE SOUND OF IT IS SOMETHING QUITE ATROCIOUS IF YOU SAY IT LOUD ENOUGH

YOU'LL ALWAYS SOUND PRECOCIOUS SUPERCALIFRAGILISTIC-

EXPIALIDOCIOUS GOOD-BYE, MARY POPPINS. DON'T STAY AWAY TOO LONG.
2016-03-18 07:53:55 UTC
I've been married twice before, so I don't care if I don't marry again, but I won't say that I "won't" marry again...it's not a priority at all, but I would love to have someone to share my Life with... I've been single for a long time now (the better part of the past 11 yrs) so I'm comfortable with it just being me, if that's how the rest of my life goes...I have friends and family and interests, so it's never boring (but sometimes it gets lonely)...
2006-10-02 17:21:16 UTC
That would be ..'cor blimey Mary Popins as I live an' breathe!'



Gawd luv ya ducks



Dorothy Mills (Mrs)
Endie vB
2006-10-02 17:43:09 UTC
SUPERCALIFRAGILISTIC-

EXPIALIDOCIOUS
rera1397
2006-10-02 17:19:41 UTC
Just a spoon full of Sugar Helps the Medicine Go Down?



Chim-chimney, Chim-chimney Chim-Chim Cheroo.....
2015-02-02 13:28:38 UTC
Measuring the penis when it isn't erect is pointless, since the length and bulk are affected by various temporary factors, such as the ambient temperature. Even the largest male organ can shrink to virtually nothing if the man goes for a swim in cold water. However, at normal temperatures a non-erect p enis usually measures between 8.5 cm and 10.5 cm (3-4 inches) from tip to base.

Learn more about techniques to enlarge your penis https://tr.im/6I64q

The average figure is about 9.5 cm (3.75 inches). Of course, it's true that some men have big penises and some have smaller ones, just as some men have small feet and some have big feet, but the measurement is not – repeat not – an index of virility.
Molly
2006-10-02 17:26:27 UTC
And if you say it backwards it's dociousalyispilisticfragicalirupus
demot
2006-10-02 21:46:05 UTC
Just a spoonful of sugar makes the medicine go down.
Johnny
2017-02-17 15:41:01 UTC
2
Fleur de Lis
2006-10-02 17:18:50 UTC
A spoonful of sugar help the medicine go down.
bell_alexgreat
2006-10-02 17:23:31 UTC
"Just a spoon full of sugar makes the medicine go down, medicine go down, medicine go down" (repeats)
shadow_runnr
2006-10-02 17:26:46 UTC
Ok, Uggggg got the best answer I think.
♥spectral mirage♥
2006-10-02 17:20:30 UTC
super-cala-fraga-listic-expi-ala-docious
jsweit8573
2006-10-02 17:21:19 UTC
supercalifraculistexpealidocous



I dont know if that is how it is spelled
2006-10-02 17:19:14 UTC
supercalifragilisticexpialadocios


This content was originally posted on Y! Answers, a Q&A website that shut down in 2021.
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